Madrid Jul 9 (EFE) .- The Reina Sofía Museum has bought a fortnight of works at ARCO, most in tune with the reorganization of the collection prepared by its director, Manuel Borja-Villel, among which are established artists such as Manolo Quejido and Agustín Ibarrola, and women – half – like Manuela Ballester and Ana Peters.
In total, the Reina Sofía purchases have amounted to about 300,000 euros, as explained today by the director of the institution at a press conference at ARCO. It is the work of seven women, seven men and an artistic collective.
The group combines established authors with young people and is committed to a variety of themes, from the avant-garde to the most recent creation, the director of the Reina Sofía has summarized.
Many of the works are related to the new route that will be ready at the end of the year and that is being presented by chapters. It will go around the collection completely and, except for Guernica, almost everything else will change places.
The two acquisitions by established artists are four woodcuts on cardboard by Agustín Ibarrolla (1970s) and a series of drawings by Manuel Quejido, after passing through the Centro de Calculo de la Complutense, “Círculo y triangle”, (1968).
The four pieces by Ibarrola were exhibited at the 1976 Venice Biennale and complete the collection that the museum has of the Basque artist. Whine’s series will likely be included in the museum’s exhibition on the artist next year.
Two other less-known Spanish artists are Manuela Ballester, from whom three illustrations have been acquired from the book “La Perla que Naixque en lo Fang” (1934), and a piece by Ana Peeters, “Cuentaquilometres” (1966).
Both will add to the work that the museum is doing to consolidate its collections of avant-garde creators and pop artists, the latter with a dedicated room on the new route.
From young national creators, the art center has bought a series of six lithographs from the collaborative group Colectivo Ayllú, “Perrear el dolor”; also “Llorona I” (2021), by Clara Montoya (Madrid, 1974), and “Project Abstract Machine, Heat Map” by Andrés Pachón (Madrid, 1985).
Ayllú is a collaborative research and action group formed by migrants with projects that address “non-binary gender and issues related to decolonization.” Montoya works on issues of ecology and is “one of the most interesting young artists of the moment”, has underlined Borja-Villel.
The rest of the works by national creators are “Ignou Road Batiks Series” (2016-2017), by Alonso Gil, some batik-style fabrics; and “Casa Bruja”, by the artist known as Evru / Zush, whose work has been exhibited at the Moma and the Guggenheim.
On the international list are pieces by the Moroccan Bouchra Khalili, with the film “The Tempest Society (2017)”, and the South African Angela Ferreira “For Mozambique”.
With a view to reordering its itinerary, the museum has acquired “El Dorado – Equuación”, a sketch in tempera ink and pencil on paper by Liliana Maresca (Buenos Aires, 1951-1994), an emblematic figure in the Argentine artistic sphere. which will have an installation in the new route that the museum is preparing.
The museum purchases are completed by the video installation “Cocoon” (2019), by the Brazilian duo Dias & Riedweg; a painting by the artist and poet Babi Badalov, and a video by the Serbian Maja Bajevic, “Women at Work – Washing Up (2001)”, one of the artists selected for the space that this year is dedicated only to female creators.
This is the strangest edition of ARCO, which has moved from February to summer and in which only a little more than half of the galleries participate.
Despite these changes and the unforeseen events that have arisen, the director of the fair was very happy today with the progress of the fair.
Today is the third day dedicated to the professional public, many galleries are scoring good sales such as the José de la Mano Gallery, which has sold the version of “Guernica”, by Agustín Ibarrola.
The sensations “are good”, as he has declared to Efe López. Now it remains that starting tomorrow the general public will come, which is expected less crowded than other editions.
“The fair is very safe (…) we encourage people to come this weekend to have a good time, to come and discover new artists,” he encouraged.