Indeed, the flow of consciousness or inner monologue allows the protagonist, a lady belonging to the English aristocracy, to confront the prejudices of a quiet society without radically opposing it, since Clarissa Dalloway and her family are distinguished members of the society. British aristocracy, although this fact did not prevent him from having romances, very passionate indeed, with a young man, and with a young woman, who, likewise, belonged to the same social stratum.
The critique of a classist and egocentric society -intrinsic to Woolf’s complete work- is manifested here, unambiguously, in the surface structure of the novel
The critique of a classist and egocentric society – intrinsic to Virginia Woolf’s complete work – is manifested here, unambiguously, in the novel’s surface structure, while in the deep structure, reading between the lines, the anti-war message is perceived in form of denunciation for the participation of Great Britain in the First World War and the cruel and irreparable consequences that it left in its participants (and in the population in general); It is a universe as convulsed as ours, but, in case I have not been able to explain myself well: see Mrs. Dalloway for free on YouTube, interpreted by the great Vanessa Redgrave; and see in deuvedé -based on the novel by Michael Cunningham- the film played by an unparalleled trio of aces: The Hours, where the vicissitudes of three women are narrated, whose lives are intensely affected after reading Mrs. Dalloway; and finally, remember that the Edward Albee drama Who’s afraid of Virginia Woolf? (Who’s Afraid of Virginia Woolf?) Premiered in 1962 on the Broadway stages in New York, sweeping all the awards there and for having (and later it would be taken to the cinema adapted by the great Mike Nichols).
Consequently, and to answer the rhetorical question posed by Edward Albee in his dramatic piece, masterfully interpreted as a cinematographic work by the one and only Elizabeth Taylor together with the idiosyncratic and maximum Richard Burton … But there is no answer. I’m sorry. And why not? Because you must read Mrs. Dalloway and you will answer yourself, because that is precisely the intention of Virginia Woolf: to provoke agitation in the conventional and self-indulgent spirit of the people of yesterday and today …