July 6, 2020

Violence in childhood "under the carpet" in the Canary Islands – La Provincia

The Casa de Colón intends to unmask the role of power through the normalization of violence in a cycle of lectures and performance actions, led by the multidisciplinary creator and cultural manager of the Canary Islands, Rosa Mesa, on November 14, 19, 20 and 26.

From the visibility of sexual abuse in childhood to the sublimation of violence and its 'status quo' in art, through the normalized violence in society through power and coercion or aggressions in the health field that connect health and gender, this cycle aims, according to its coordinator, expose "the position of dominance that is traditionally maintained through a culture of education and fear as a way to maintain patriarchy and other archaic structures, "says Mesa.

For the creator "the culture of violence is deeply rooted in our society and it is difficult to consider it as an avoidable evil. This project will take place in the House of Columbus organized by the aforementioned center belonging to the network of museums of the Ministry of Culture of the Gran Canaria Council, tries to link the idea of ​​dominance to issues as important as gender or class, and raises a conscious review of a system that perpetuates errors with the purpose of designing mechanisms that help eradicate this domain culture. "


The journalist, feminist activist and responsible for training, awareness and advocacy of the Daniela Oblatas Program, Begoña Vera; the photographer and member of the VIVAS Canary Islands Women Association, Ana Gironés; the creator involved in the art of action, Analía Beltrán; the former Senior Professor of Medical Psychology at the University of Las Palmas de Gran Canaria, María Asunción González de Chávez; the surgeon and specialist in Occupational Medicine, Catherine De Wilde Calero and the researcher and professor in the area of ​​Contemporary History of the Department of Historical Sciences of the University of Las Palmas de Gran Canaria, Javier Marquezas well as the performers Rosa Mesa and Pedro Déniz, make up the program of this cycle that will take place at the Casa de Colón, with free admission, always at 7:30 p.m. performers, and at 8:00 p.m. conferences.


The program will begin on November 14, at 8:00 p.m., with the intervention of Begoña Vera called 'Under the carpet', that It will be accompanied by an exhibition by Ana Gironés. The collaborative project of both is focused on making sexual abuse of children visible. As he exposes the data is overwhelming in Spain: "three out of ten children suffer or have suffered sexual abuse. Nobody wants to look, nobody sees, the penalties for the aggressors are ridiculous and prescribe the crimes at 15 years. We will show in different ways and approaches the barbarism that hides this intractable practice to try between all and all to commit ourselves to work so that this scourge does not go unnoticed or unpunished. "

He November 19, at 7:30 p.m., will take place the performer 'My spines', from Analía Beltrán, who believes that the women of this country have been determined budgets that have meant for many of them great resignations and a self-demand that, on occasion, has been distressing. "In this work I deal with the feminine issue since overcoming personal difficulties," he explains. "We have not wanted to give up anything. We wanted to be wives and mothers, but also good professionals. It is not easy to live had to prove your worth every day, especially in front of yourself. How much has this cost us? What have we sacrificed? The spines.

Then at 20:00 hours the artist Rosa Mesa will intervene, who will refer to the sublimation of violence and the status quo in art. Mesa asks us a question: Have we ever questioned why we bend the knee of one leg, move the hip and smile when we take a picture? "Art has shaped our worldview. Where without a doubt this reality is overwhelming is in relation to the image of women and social structures, "adds Mesa.

He November 20, at 7:30 p.m., Pedro Déniz stars in the perfomer 'White shirt' to expose the social involution we live. "A piece designed as a cocktail of distorted, peripheral events, centered on a present body, without memory, like a silent film soundtrack with collateral language," as the creator points out.

At 20:00, Javier Márquez offer the talk titled "Normalized violence. Power, coercion, society", which will address the transformation that the notion of violence has undergone to become something much more sophisticated: an instrument for the social reproduction of capitalism. "Its normalization consists not only in acceptance but, assuming greater complexity, in its spectacularization or in its character of symbolic violence, which goes from sport to cinematographic or television image," says Márquez.

"The exercise of violence is much more subtle, less explicit, it filters through the mesh of micro powers that make up civil society. In this way, the concept now acquires a much more plural and heterogeneous meaning," he says.

He November 26, at 7:30 p.m., he returns to the Casa de Colón Rosa Mesa with his performer, 'La mal parida', raised as "a claim for the freedom of women to choose the way to give birth and for the cessation of abominable practices that are currently exercised on the body of women," Mesa denounces, because "the patriarchal vision of society is extends inexorably towards health and a place where its impact is devastating is the health of women and specifically pregnancy and childbirth. "

Then at 20:00 hours, there will be a talk entitled "Aggressions in the health field. Health and gender", offered by Catherine De Wilde Calero and María Asunción González de Chávez. Raised in two parts, both specialists will make a first introductory in which they will refer in a general and macroscopic way "the different factors that cause structural violence in the health system and how it mostly affects women, whether professionals or patients. the second part will deal in more detail with the different ways of getting sick in the current gender system. "

According to both, "gender socialization refers to the cultural values ​​that frame and are the fundamental reference of the way in which both sexes are psychically conformed and that has a notable influence not only on the configuration of their own identity and on the mode of to become physically and mentally ill, but also in the way in which the ailments, suffering and life experiences are addressed, including, in a fundamental way, the so-called gender violence ".?


Analía Beltrán i Janés

Bachelor of Fine Arts from the UCM. Since 2001 he focuses his artistic activity on the Art of Action. He has participated in numerous national and international festivals such as Acción! MAD in Madrid 2008 and 2014; X Havana Biennial 2009 (Cuba); Inf'action Venice 2011, 2013, 2015 and 2017 (Venice Biennale); Guangzhou Live 3 (China) 2012; Live Action 8 Gothenburg (Sweden) 2013; Navinki International Performance Festival, Minsk (Belarus) 2013; Biennale Anzio e Nettuno 2015 (Italy); La Muga Caula 2016 (Catalonia); Reihe Neu-Oerlikon, Zürich (Switzerland); Perfomedia Bergamo (Italy) 2018; Viglienasei Art Gallery, Syracuse (Italy) 2018; Vostell Malpartida Museum 2019, Perfomedia Venice 2019; among others. He lives in Madrid where he develops much of his work in different spaces and galleries such as the Reina Sofía Museum or Matadero Madrid. Since January 2018, the Small Performance Art Event (PEPA) police station invites artists of different trends and nationalities. Due to his training in plastic arts, his work in action art starts from the need to eliminate the artistic object in order to have a direct exchange with the public that, in many cases, participates in his performances.

Pedro Deniz

Long-distance multidisciplinary artist. His proposals are rigorous, committed and risky. He has developed works and experiences since the 90s that range from the objectual to the installation. Making incursions into photography and video, cultivating action art or performance-art, visual poetry and graphic design. Sometimes he practices teaching and cultural management. Above all, work and enjoy the commitment. Some of his projects have been presented at different Biennials and festivals: Welcome, at the Bamako African Photography Biennial, 5th edition (Mali, 2003); III Biennial of Lanzarote (Art, landscape and tourism) with the Back-garden project. (Spain, 2005); With its Ajuy video-action, missive to the sun within the collective meeting point multimedia project, at the Dakar Biennial (Senegal, 2006); Who looks? Who sees? XIII International Festival of Digital Arts and Cultures of Gran Canaria, CanariasMediafest, (Spain, 2008); Interactive installation Trench of thought; at the 10th Havana Biennial (Cuba, 2009). His work is present in public collections such as the University of Las Palmas de Gran Canaria (ULPGC), Spain. Atlantic Center of Modern Art (CAAM). Las Palmas de G.C. Spain. Space C, Camargo, Santander, Spain. Fundación MAPFRE GUANARTEME Collection, Canary Islands, Spain. Moleskine Foundation Collection, Milan, Italy.

Ana Gironés Valdivielso

Photographer and Graphic Designer. It is part of the VIVAS Canary Islands Women Association.

María Asunción González de Chávez Fernández

She has been Professor of Medical Psychology at the University of Las Palmas de Gran Canaria (ULPGC). Until his retirement, he was responsible for the Psychiatry Area and the Research Team: "Health: an interdisciplinary and gender perspective", and the Gender and Health Seminar (ULPGC). He has made stays for clinical and research in Italy and the USA. She was the creator and director for several years of the Women's Classroom of the ULPGC. After his retirement from the University, he has continued his professional activity as a lecturer and guest speaker at conferences and seminars, publishing articles requested by various entities, etc …

Javier Marquez

Las Palmas de Gran Canaria, 1969. Doctor of History. Professor in the area of ​​Contemporary History of the Department of Historical Sciences of the University of Las Palmas de Gran Canaria since 1998. He has conducted research stays in London, Nantes, Washington DC and Havana. It has about thirty publications (articles, books, chapter of books, papers) dealing with various topics, among which are: Canary Islands in the international crisis of 1898, emigration and rejection of military service in the Canary Islands during the S .XIX, the repatriated islanders of the Cuban War or the Law of Vague and Maleantes in the Archipelago during the first Franco regime. It is currently in the first phase of an extensive research project on marginality, crime and repression that revolves around the laws of Social Hazard in Spain (1933-1990)

Rosa Mesa

She was born in Gran Canaria and has a Law Degree from the University of Las Palmas de Gran Canaria, in 1995 she emigrated to Canada and in 1996 she began her studies at the OCADU graduating in 2002, she also has a Master in Psychotherapeutic Applications of Art from the University of Barcelona. Rosa is a multidisciplinary artist whose practice extends to installations, performance, video, drawing and public interventions. As part of her role as cultural manager, she would curate, in 2002, various projects at the Artist Run Center A-Space, in Toronto. As a founding member of LCAA collective for the development of Latin American art in Canada, he carries out various cultural and artistic activities. From 2005 to 2007, he worked at the ADN Gallery in Barcelona, ​​collaborating with different publications and in 2011 he founded, together with María Linares, the daily services project in Berlin from where he would curate public intervention projects. In 2011, he founded, together with the artist Thomas Proffe, the Nutoro project that carries out cultural events (Networks, Internal Currents, Bodies …) in different museums and institutions. His artistic work in the field of performance has been exhibited at the Biennial of Young Artists of Yugoslavia 2005, at the X Havana Biennial 2009, he was winner of Madrid Processes 2011 and during 2014 and 2015 his work "Dirty Rags" was represented in Las Palmas and Toronto as part of the Miradas de mujer Biennial 2015. In recent years his work has been exhibited at the FADO art and performance festival, 2015, Toronto; 2015, Pérez Galdós House Museum, 2015; Casa de Colón, 2016; CAAM, 2017 and the TEA, 2018.

Begoña Vera Guanche

Graduated in Philosophy, she has been dedicated to Communication specialized in Political Communication for more than 20 years. As a researcher and feminist activist she has specialized in prostitution and trafficking, especially in the bodies of women within the prostitution system and the figure of the client, as well as in New Masculinities and in the Treatment of sexist violence in the Media. At the moment, among other things, she is responsible for training, awareness and political advocacy of the Daniela Oblatas Program.

Catherine De Wilde Calero

Bachelor of Medicine and Surgery from the University of Las Palmas de Gran Canaria with a specialty in Occupational Medicine from the University of Barcelona. Among other degrees, he has "Master in Medical Evaluation and Expertise", "Mediator in Conflicts in the Health Area", "Mental Health in the Workplace: Clinical and Preventive Management", "Project Formulation with a Gender Perspective", seminar " Women and Health ", and several formations with greater incidence in the field of occupational risk prevention.

Since 2003 he has been working as a work doctor. Since 2009 he has been working in the field of public health, taking care of the working conditions of a part of the staff of the Canary Islands Health Service.

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