May 14, 2021

Turkish series, a television phenomenon that does not stop growing



They entered the competitive audiovisual scene through the small door of thematic channels, but they have already become the television routine of millions of people. Turkish series have devoured ‘prime time’ (main time slot) at night of the open channels and they live in Spain their golden age, after having swept half the world.

In Antena 3, a pioneer in betting on Turkish dramas, they have managed to win four nights in a row of ‘prime time’: ‘My daughter‘(2.5 million viewers, on average), on Sundays and’Woman‘(2.3 million) on Mondays, Tuesdays and Wednesdays. And in Telecinco, which is not registering as good results as its main rival, ‘Love is in the Air ‘ (about 1.5 million) is issued Tuesday and Wednesday, followed by ‘My home, my destiny‘.

Atresmedia guessed what was coming after the results obtained in 2018 with ‘Fatmagul‘, the first Turkish production they bought, which swept their Nova themed channel. It became, and still is, the most watched series in the history of a secondary channel.

The success led us to think that perhaps our main channel (the Turkish series) could be a good option“Atresmedia TV’s deputy director of content, José Antonio Antón, tells EFE.

They then took the risk of taking Antena 3 ‘Woman’, which “is one of the most acclaimed Turkish series and the best invoice in recent years and it was a success. “The important thing, he adds, is to dedicate time and resources to the selection of products since”not all Turkish series are good, nor do they all work in audience“.

Neither soap operas nor a genre in itself

Two things are always clear to those who work commercializing Turkish dramas. The first, that they are not a genre in itself, the “Turkish genre”, because each production made in Turkey (the second country that exports the most fiction, after the United States) is different and there are many genres.

And the second, that not all are soap operas. Some yes, those that are conceived as such, shorter, for daily broadcast and with a lower budget. But the ones that make it to Spanish prime-time “they are fiction productions of the highest quality, with very careful scripts and stellar casts “.

They do have several peculiarities: an extremely slow pace and a duration per chapter of two or three hours. “But the budget of a Turkish series of ” prime time ‘, that episode of two hours, can be compared with the budget of a series in open air in Spain”, tells EFE Barbora Suster, director for Latin America and Iberia of Eccho Rights , a company that sells audiovisuals and specializes in Turkish drama.

They were the pioneers in Spain, as they mediated the arrival of ‘Fatmagul’, which laid the foundations for the subsequent hurricane. “Six years ago absolutely nothing Turkish was sold or bought in Spain and today we are with the catalog almost completely sold“, he assures.

After ‘Fatmagul’ came ‘Elif’, ‘Cennet’, ‘Everywhere I go’, ‘My home, my destination’ … Titles known to more and more people who have become familiar with the Tarlabasi neighborhood or the walks through the Bosphorus river and for those who eat fig leaves or dolmas it no longer sounds so remote.

Why do you like Turkish series?

It is the question that many are asking. How is it possible that, having so much channel, platform and original production to choose from, thousands of people bet every night on this fiction that a priori can squeak many?

In the opinion of the expert in audiovisual distribution Judith Clares, professor at the Open University of Catalonia (UOC), the first reason is that “its content is universal“.” They talk about family, love, work, day to day. They have that soap opera point close to the Latin American soap opera. But they are more contemporary, close, European, “he tells EFE.

Basic stories repeated a thousand times that are the choice of many. “We think that the simple doesn’t like there are many people who like simple stories“and many people who, despite the boom in platforms,” ​​still want to see what they program. ”

“We are at a time when the ‘boom’ of audiovisual content is enormous. We all look at the platforms because it is the novelty and they have huge content catalogs, but we forget that there is still a large audience on general television“, he adds.

Public who want to see different things and the Turkish series for the moment are, thanks to that “added exoticism “ which, Suster adds, is another reason why the public chooses them.

Will it be a temporary phenomenon? In the opinion of the Eccho Rights board, it will not be. “I don’t think it’s a phenomenon but a trend that is here to stay “. Now it is “very full” and “it may be that later it will go down” but “it will not disappear” but “it will find its place within the audiovisual panorama of Spain”.

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