The painter Marta Mariño teaches at the León House-Museum and Telde Castle a introductory drawing workshop in which the anonymous painting of the 18th century will be taken as a model, The still life, which this museum center treasures, to make a detailed approach to the work in order to capture the most interesting and outstanding.
This free workshop, with limited places, is aimed at people over 13 years old and takes place on May 8, 15, 22 and 29, from 11 a.m. to 1 p.m. To participate, prior registration is required by email email@example.com or on the phone 928 691 377.
This initiative is part of the cultural program May-Museums designed by the Culture Council of the Gran Canaria Cabildo to celebrate International Museum Day throughout the month.
Among many other issues, this workshop will allow participants to learn how to use different tools, such as graphite pencils. For a better understanding, a series of technical exercises, such as achieving greater or lesser strength and intensity in the stroke depending on the inclination of the pencil, the mobility of the hand so that the strokes vary and when to use one or the other, depending on their hardness or softness.
Once they have become accustomed to these symmetries, attendees will examine what the most relevant parts of the painting consist of, such as composition, balance, light, color and textures. Next, the objects will be extracted from the work separately and they will be analyzed to achieve the volume, the chiaroscuro of each one of them and the ability to continue being made at the different hardnesses of the pencils.
Each student will be able to elaborate their particular composition, thus highlighting their personality. To do this, several ways will be used to achieve different results.
Career of Marta Mariño
Marta Mariño has a degree in Fine Arts and one of the most outstanding creators of the contemporary art scene in the Canary Islands. It belongs to the generation of painters who reached artistic maturity between the 70s and 80s of the last century.
He has had individual exhibitions at the Cruz Mayor Cultural Department (1977), at the Casa de Colón (1980), at the Vegueta gallery (1984, 1991), at the Factoría pub (1988), at the San Antonio Abad room (1989) , in the Center of Cultural Initiatives of the Caja de Canarias (1992, 2000), in the Juan Ismael Room of the Cabildo de Fuerteventura (1996), in the College of Architects of the Canary Islands, headquarters of Gran Canaria (1997), in the Club Prensa Canaria (1997), at the Ateneo de La Laguna (1999), at the Antonio Machado de Leganés gallery (2003) and at the Insular Circuit of Plastic Arts (various halls in Gran Canaria, 2004-2006).
Among the group exhibitions in which Mariño has participated are Anastomosis (La Regenta, 1994) or 15 women, in the Town Hall of Las Palmas de Gran Canaria (1994). In the retrospective show The painted years (1977-2007) takes a journey through the three decades of his interesting and thoughtful creative career. A large part of his works are exhibited in important museums and institutional centers in the Canary Islands and the rest of Spain, as well as in France, Germany and Venezuela.