Nelsons has followed his party with the Philharmonic with the first of the three bises, a sparkling interpretation of polka In flightby Josef Strauss, who wrote for the Carnival of 1867 trying to emulate the flights of swallows.
The best of the Concert so far, according to our critic Pablo L. Rodríguez, has just sounded. “Josef Strauss composed the waltz We dynamised (Mysterious forces of attraction) for the dance of the Vienna Industrial Society of 1865, which was held at the Redoutensaal. It is a tribute to the engineer Ferdinand Redtenbacher whose development of the dynamos had interested Josef Strauss, who was also a training engineer. Nobody has directed this wonderful score in this way, where Josef Strauss tries to translate into music the supernatural forces that seem to hide behind that scientific invention. Neither Muti, in 1997, nor Barenboim, in 2014. “
Curiosities. The tradition of the New Year’s Concert is related to the members of the Strauss family, the main dynasty of Viennese dance music and operetta composers of the 19th century. This and other stories in our keys http://cort.as/-UeKu (Photo: AP, Ronald Zak)
Two classics of this date. The commemoration of the 150th anniversary of Musikverein has continued, now with the waltz Enjoy life, which was the composition that Johann Strauss son wrote for the aforementioned inaugural dance of January 15, 1870. It was not very successful, but it is a waltz that has been heard many times in the New Year’s Concert since 1947. The performance of Michael Beyer has made a summary of the history and rooms of the building, which includes a music publishing house, a luthier’s workshop and the archives of the Society of Friends of Music in Vienna. Comments from Pablo L. Rodríguez. Johann Strauss Jr. dedicated his quick polka Tritsch-Tratsch to the sensationalist press in Vienna, which had commented on his adventures in Russia, in 1858. An allegorical representation of the gossip that Nelsons has endowed with an ideal burlesque nuance.
Tribute to Beethoven. The second pre-recorded ballet scene has been seen, this time to accompany the six contradanzas that have been included as a novelty this year in tribute for Beethoven’s 250th anniversary. It has been performed in several locations of the Beethoven House Museum on the outskirts of Vienna with two couples from the Viennese Opera Ballet. José Carlos Martínez has chosen to innovate by having to dance on stone pavers and has designed a fun American-style choreography that reminds a bit of Fred Astaire or Gene Kelly and where a dog acquires prominence, a white spinone called Vito.
Nelsons trumpeter. The Danish Strauss who created his own orchestra in Copenhagen in Viennese style was Hans Christian Lumbye, who stood out as a galops composer. Their orchestrations have a distinctive sound, more lyrical and pristine, than the Strauss. East Postillon Galop, which is also a novelty at the New Year’s Concert, has served to show Andris Nelsons’ skills as a trumpet player, as was the composer. (Photo: AFP, HANS PUNZ)
More news. The Gavota Josef Hellmesberger son is a nod to the past, where that dance was very successful in the French court of Louis XIV, but in his hands he acquires all the Viennese perfume. It is another novelty this year. The president of the Vienna Philharmonic highlighted, at the press conference of the New Year’s Concert, the genius of this work, although the one heard by this successor of Mahler at the head of the Vienna Philharmonic, the Mendelssohian I run elves, It was much more interesting. Nelsons has highlighted, with fantasy and elegance, the catchy charm of this score.
Melosa polca mazurca. “And now it is the turn of the tribute to the 150th anniversary of Musikverein,” says our critic. “This sweet polka mazurca, Frost flower, by Eduard Strauss, was one of the three compositions that the Strauss brothers wrote for the inaugural dance, on January 15, 1870; another will be the waltz Enjoy life, from Johann Jr., which we heard in the first part. It is also new at the New Year’s Concert. We listen to it in an arrangement and it has no greater interest, despite the dedication that the Vienna Philharmonic has exhibited in making it sound. “(Photo: AP, Ronald Zak)
A Spanish protagonist. We have seen the first pre-recorded ballet scene with choreography by the Spanish José Carlos Martínez (first Spanish choreographer who collaborates in the New Year’s Concert) and Emma Ryott’s costumes. It’s about the waltz Embrace yourselves, millions of beings!, by Johann Strauss Jr., titled with a verse from the Schiller ode that Beethoven used in the choral movement of his Ninth Symphony, but which, in reality, hides an offering to Brahms with an evening reference to his Sonata for violin and piano nº 2. Brahms had influenced his editor, Simrock, to publish the music of Johann Strauss Jr. It was released in 1892 in this same Golden Hall of the Musikverein. We have seen five couples of dancers from the Vienna State Opera Ballet in different locations of the Winter Palace of Prince Eugene of Savoy, headquarters of the Federal Ministry of Finance. A proposal, elegant and refined, very much in line with the New Year’s Concert. Nelsons has directed a more linear and less contrasted version, as we heard from Barenboim in 2014, but much more appropriate to accompany the pre-recorded images. The Latvian, however, has left exquisite details of musicality at the head of the Vienna Philharmonic. By Pablo L. Rodríguez.
A mythical record label and a story for this second part. It has been followed by another novelty, the French polka Josef Strauss Cupid, which he wrote for the Carnival of 1860 where he tried to compensate for the discouragement reigning after Austria was expelled from Italy in the military campaign of the previous year. We know that it was premiered at the Sofiensaal, a palace with a famous acoustics that the Decca record label became, as of 1955, in one of the most famous recording rooms in the world. It was destroyed by a fire in 2001 and today it is a complex that includes a hotel, a gym and an apartment block. Nelsons has followed the same trail, “we says Pablo L. Rodríguez. (Photo: AP, Ronald Zak)
The first comment of the second part: Nelsons has opened the second part by displaying his size as an operatic director. He has ideally set each section of the overture of the most famous operetta of another of the Strauss’s rivals, Franz von Suppé, Light cavalry. Released in 1866 at the Carl Theater in Vienna. It tells an unimportant love story where a unit of hussars intervenes, the famous Hungarian light cavalry. And the Latvian director has underlined, from the beginning, the warlike narrative of the work that leads to the popular galop that represents the Hussars. Exquisite Matthias Schorn in his whining clarinet solo that reflects the zingaro flavor of this operetta.
The second part of the New Year’s Concert begins.
Andris Nelsons He directed this year to the Vienna Philharmonic at this concert. This institution lacks a principal director. Invite one of the most prestigious in the world for each subscription concert, tour or festival. And the New Year’s Concert is a good example. Although in the past there was initially a stable director for this appointment (such as Clemens Krauss, Josef Krips, Willi Boskovsky and Lorin Maazel), since 1987 a different director is proposed for each edition (Photo: AFP, HANS PUNZ)
What is being seen at rest? Our critic Pablo L. Rodríguez explains it to us: “Some notes for the rest, in which we are watching the documentary by Georg Riha dedicated to the 250th anniversary of Beethoven, to clarify the relationship of the Bonn musician with the Vienna Philharmonic. The orchestra It was founded by Otto Nicolai in 1842, that is, fifteen years later, the composer’s death was the second attempt to create in Vienna the first stable and professional orchestra with the musicians of the Imperial Opera, after the first one that failed in 1833. Beethoven’s symphonies were very difficult for amateur orchestras and city critics pressed for the best musicians in Vienna (those who worked for the Opera) to come together to give subscription concerts with Beethoven symphonies, and this orchestra emerged today so famous. And, among its founding members were included several musicians who premiered the Ninth Symphony and that they met Beethoven. “
Exquisite and wonderful. If Eduard stands out in any way, the youngest, less prolific and also less musically graceful of the three Strauss brothers, is in polka. The premature death of his brother Josef made him take over the family orchestra in 1870. This polka Suddenly (Another novelty this year) he published it in 1876, although it is unknown when and where he released it. Nelsons has spiced it with the sparkle and the spicy ideal. With this work the first part of a New Year’s Concert is closed, so far, exquisite and wonderful, according to our expert.
First rest and tribute to Beethoven in Vienna. We remember that this year marks the 250th anniversary of the composer, who lived in Vienna from 1792 until his death, in 1827.
Nelson’s playwright. The Vals Where lemon trees bloom It is a tribute to Italy, where Johann Strauss Jr. introduced him. It was in 1874, in Turin. Although at the premiere he called Beautiful Italy, in the end he sought for his publication in Vienna a more literary and evocative title of that German yearning towards Italy. And he used that famous fragment of the ballad of Mignon from Wilhelm meister of Goethe. It was very popular in Vienna and a solo soprano version was made. But, despite its evocation of Italian tenderness and Mediterranean feeling, it is deeply Viennese. And Nelsons has managed to masterfully link all its parts, from the exquisite introduction to the coda, to form a magnificently refined and evocative version. The Vienna Philharmonic has shown its unmistakable way of “saying” the waltz and Nelsons brings his own playwright. Neither Mehta, in 2007, or Welser-Möst, in 2013, directed in this way. By Pablo L. Rodríguez.
The concert is held in the call Golden Hall of the Musikverein, the famous concert building that was built by the Society of Friends of Music in Vienna, on the Karlsplatz. It opened in January 1870 and this year will celebrate its 150th anniversary (Photo: AFP, HANS PUNZ)
First work of Johann Strauss sonthe polka Flower Festival, which has only been heard once in the New Year’s Concert, in 1996 with Lorin Maazel. Although it was written in 1852 for a floral festival in the current Burggarten, it was finally released in tribute to the archduchess Sofia. Nelsons has directed a completely different version from Maazel in 1996, much slower and more playful. Beautiful close-ups of Michael Beyer of the spectacular floral decoration of the Golden Hall of the Musikverein that also celebrates its 150th anniversary, says Pablo L. Rodríguez.
Our critic highlights the novelties of this year, which star all this first part: “Third work and third novelty of this year: the Liechtenstein March, by Josef Strauss, who takes his name from the president of the Imperial and Royal Agricultural Society, Prince Alois von Liechtenstein. It was written for the celebrations of its fiftieth anniversary, in 1857. It is a minor composition, but a newspaper of the time said of it, after its premiere, that it had “vitality, agility and charm”. And so we have heard it in the hands of Nelsons.
Pablo L. Rodríguez comments on the second piece: Ziehrer has been followed, like last year, a waltz by Josef Strauss, which marks the 150th anniversary of his early death at the age of 42 this year. It was about Greetings from love, which is another novelty of this year at the New Year’s Concert. He composed it in 1858, coinciding with the birth of his daughter Carolina, and premiered at a festival with fireworks in the Volksgarten. His melodious and charming style, in Lanner’s style, really pleased the audience. It was repeated several times and a newspaper remembered that the Viennese hummed it in the street. This year the title of the work aims to send “greetings of love” to the Salzburg Festival on the occasion of its centenary, something that has evidenced the realization of Michael Beyer with some attractive images of emblematic Salzburg locations. Nelsons continues to exhibit an ideal communication with the Viennese orchestra, which translates into moments of exquisite musicality, in which he closes his eyes and tries to inspire musicians. (Photo: AFP, HANS PUNZ)
This is how our critic Pablo L. Rodríguez sees the beginning. Good morning and happy new year. Andris Nelsons has started the 80th edition of the New Year’s Concert ideally. Without imposing and trying to dance with the orchestra. Like last year, a composition of Karl Michael Ziehrer has been chosen to begin with, one of the main rivals of the Strauss brothers and, especially, of Johann Strauss Jr. But this time it has been an overture and not a march. A success, because it is more varied as the first contact of the conductor with the orchestra. It’s about the overture of his comic operetta The homeless, which is the first of the nine novelties that this edition of the New Year’s Concert has. It premiered in 1899, at the Venice Theater in Vienna, and was one of its greatest success in the field of the operetta. The overture makes very clear the influence of band music, with that initial march, but alternates with passages of waltzes, and this has allowed Nelsons to exhibit his effective and elegant calisthenics on the podium.
Vienna Philharmonic, the real protagonist of the concert, is one of the best orchestras in the world. It emerged, in 1842, to meet the growing demand for philharmonic concerts in the city. It is a very conservative set with an unmistakably native and elegant sound. It has its own instrumental tradition, with different variants of other orchestras for the oboe, the tube or the timbale. (Photo: AFP, HANS PUNZ)
The appointment began with the opening of the operetta of The homeless, which had never sounded in this concert.
The New Year’s Concert has just begun in Vienna. You can enjoy listening to it and reading these keys from our critic Pablo L. Rodríguez http://cort.as/-UeKu
Debut of Latvian teacher Andris Nelsons. At 41, Nelsons debuted in the direction of the Vienna Philharmonic at the Golden Hall of the Musikverein, although the collaboration with the Philharmonic – an orchestra that chooses by vote with whom he works – has been going on since 2010. In a press conference, Nelsons, considered one of the rising stars of classical music, was Friday “deeply cheerful and honored” to be able to conduct a concert so often throughout the world and promised that he would print the “passion and joy” that makes this function unique . “It is a wonderful beginning for a new year, to start with something positive to give the world the possibility of being better than the previous one,” added the young musician, a disciple of the recently deceased Latvian teacher Mariss Jansons.
Good Morning. We started this live to tell you about the traditional New Year’s Concert of the Vienna Philharmonic, in which a Beethoven piece has opened its place for the first time among the Strauss waltzes, and for which a version of the Radetzky March clean of Nazi traces.