The music sector warns that “their own survival” is in question due to cancellations of live events, the main source of income for much of the sector. Added to these immediate repercussions is a threat: are we going to virtual life?
The music sector is witnessing with terror the current situation of event cancellations due to the coronavirus pandemic. In addition to the massive cancellation of concerts in theaters over the next few weeks, the postponement of large-format events such as festivals has been added, putting the live music sector, the lung of the industry, in check. But, even more, there are those who fear that this crisis could mean a change of habits or mentality among fans of mass entertainment. Will we develop a psychological reluctance? How much of the collective hysteria will remain?
The alarm status is scheduled for 15 days, but it will surely be extended. The cacophony of avoiding contact and keeping a safe distance will have become the first commandment by then. Today it seems inconceivable that someday we will huddle together to fill a sweaty room. This scene may come back, but some may find it impossible to re-adjust to real life, at least for a season. The entertainment industry fears the worst: are we moving towards virtual life ?. The Spanish Music Federation (Esmúsica) assures that this crisis “calls into question the very survival of the sector” due to its immediate economic repercussions. Of the psychological ones, we still do not know anything.
From the recently created federation, which groups multiple entities of performers, producers, musicians, authors and music rooms, they express their support for the quarantine measures undertaken by the central government and the autonomous communities that have caused the cancellation of shows. However, they demand that economic and fiscal measures be carried out to give liquidity to specific companies, SMEs and sectors. Some musicians affected by these cancellations have come together to offer a virtual festival with “streaming” performances from home offering the possibility of receiving donations to mitigate the effects of the crisis. The Quarantine Fest It is made up of 51 artists. The Royal Theater and the main museums are already pointing towards a dissemination of your digital knowledge enhancing their web pages.
“As an entity that represents the music industry in Spain we must warn that this crisis may call into question the very survival of the live music sector. We must not forget the economic importance of concerts and music festivals for our country. In 2019, 90,000 live music events were held, attended by more than 28 million people.”, Remember from the federation, which is formed by the State Association of Live Music Rooms (ACCES), the Spanish Association of Music Editors (AEDEM), the Society of Artists, Performers or Performers of Spain (AIE), the Association of Technical Representatives of the Show (ARTE), the Professional Organization of Music Editors (OPEM), Music Producers of Spain (Promusicae), the General Society of Authors and Editors (SGAE), the Independent Phonographic Union (UFI) and the Association of Musical Promoters (APM) ..
Events like San San Festival or the Viña Rock, one of the festivals with the largest capacity in Spain, have been relocated in October to overcome the crisis of the pandemic. The Primavera Sound He assured this weekend that he maintains his plans on the scheduled dates (from June 3 to 7) although he held conversations with artists in case it was necessary to delay the event “a few weeks”. Neither BBK Live nor Mad Cool have the intention at the moment to alter their plans to be held in July. The great events in Spain and the summer cycles look cautiously at the famous infection curve. Meanwhile, strange things are happening in other parts of the world. While the Coachella and the SXSW In Austin, two of the largest events in the world were canceled, this past weekend another of the most powerful events was held normally, the festival Live latino, which brought together 40,000 people in Mexico City.