Table by the sea in the Nautical of San Vicente do Mar, O Grove (Pontevedra). The actor Javier Rey asks the poet Benjamín Prado, who writes in his notebook, if what he is doing is working. "The one who works is him," Prado replies, pointing to the sea. "I transcribe the message," he adds. Rey replies: “I've been looking for that message all my life, you know? Everywhere, even inside the bottle. ”
Both artists then immerse themselves in a conversation about what they expect from life in Immense minority, a new short film written by Benjamin Prado and starring both. "In a very simple way the short talk about one of the great doubts of human existence, what authenticity means and how it is achieved," argues Rey about this project, the third chapter of the series Stories for a huge minority, in collaboration with Cervezas 1906, in which Prado talks and creates with artists from different disciplines. After shaping a poem from a recipe by chef Diego Guerrero and writing lyrics to a flamenco song Diego Amador and the trio hip hop Big Menu, Prado has launched the script of this piece shot at the Nautical in O Grove, a place “with its own energy”, as described by Rey. A space that evokes the beach bars of California in the 1970s, where they have played the biggest bands of the indie and Spanish rock, from Iván Ferreiro to Kiko Veneno.
Craft and innovation
There the short film was presented on October 30 in an intimate event in which both had the opportunity to exchange ideas and extend that conversation started on the big screen. They talked about that artisan part that entails any artistic proposal. “The creative process of all kinds, the one that works to make an interpretation, a script, a poem, a movie, a dish or a beer, has to do with crafts, is related to technique but also to love, has to do with tradition but it has a lot to do with innovation and I feel very comfortable in this territory, ”the 39-year-old actor, protagonist of Fariña. He and Prado agree on the importance of innovation. "Maybe it's not about taking a step forward, but in another direction," Prado points out. To innovate, adds Rey, is to prove himself. "Because in the end, when you innovate, you try to get out of your comfort zone, you trust that your work will improve something you already have," he explained.
Immense minority It is Prado's first foray into the world of dramatic art. "Javier has taught me a little to act and I have realized how difficult it is, the amount of work, technique and will behind an interpretation," confessed the writer sitting next to Rey, who says Feeling fascinated “One of the most beautiful experiences of this project was to see how Javier was transforming, how his face was changing, the expression. The one who sat in the chair was a person, the one who got up, a character, ”he said. That character is the one in the short looking for a message, the one who is certain that there are many people "in many places doing exactly the same." But to know where the message is, it is best to take a few minutes to see Immense minority.
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