Last July, Twitter burned to know the story of Rosa Bonheur: a painter of the nineteenth century who, in addition to having been a source of inspiration for many of the artists that surrounded her, was one ahead of her time. She was French and, above all, brave. Nothing made him take a step back, not even the fact of being a woman who, at that time, lacked certain advantages. So it was that this, added to his passion for painting nature and animals, did not hesitate to hide his homosexuality or go to the gendarmerie to ask permission and be able to wear pants, because otherwise he could not access the Fair of horses from Paris to paint. Bonheur's importance was such that he even crossed borders: She was awarded a recognition of the then King of Spain, Alfonso XIII, as well as being invited by Queen Victoria. It was for these facts and several more, for which Luis Pastor, graphic designer and passionate about art, decided to draw attention through his Twitter account of the Prado Museum, since he had in his gallery a picture of this artist, in instead of having it hanging on its walls.
The head of a lion in the foreground, prominent, seductive, may even be threatening, is the work that Pastor discovered and turned into a whole movement. As published by LA RAZÓN, the Prado I already had in mind to take Bonheur out of the warehouse for a temporary exhibition, even to hang it in the 19th century room, in which other foreign painters like Davids Roberts, Jean Luouis Messonier or the Belgian Theo van Rysselberghe had already been rotating. But, due to the repercussion of the designer's protest, there was no doubt that the play, entitled "El Cid", would leave its cage to roar through the halls of the Prado.
Today is already a reality: According to the Prado Museum, the lion of Bonheur already hangs in the 63rd room of the Villanueva Building, along with a work by Francisco Lameyer that has also been exhibited today after being restored. Both paintings, according to the art gallery, "are framed within the intention of the Prado to bring to light in a rotational way lesser-known works of the nineteenth century. The selection of the paintings that are exposed is done according to to quality criteria and integration in the exhibition story"In this way, both Bonheur and Lameyer are exposed from today along with great works of his time, such as those of Luis Rigalt, a disciple of Pérez Villaamil, who, as they have pointed out from the Prado," is or could be an evocation of the Montsegur Castle, a landscape of the French Pyrenees, very close to Spain and crowned by a Cathar fortress. "
The lion of Bonheur has left his cell and, in this way, the expectations of a mobilization that, Pastor said, "did not remember an equal in Spain" have been fulfilled. Although things in the Palace go slowly, "El Cid" has not taken long to expose itself from what happened, so that, thanks to the initiative and the response by the museum, in this situation not only wins art, as well as the public, who can meet one of the great artists of the nineteenth century, but also women in painting: Of the 1,800 works exhibited in the Prado, only 6-now 7- are by painters.
. (tagsToTranslate) concha garcía