It has been almost three years since Netflix announced the signing of Shonda Rimes until the African-American showrunner has premiered the first of her series on the platform. He had up to eight different titles in the works, but none of them were ever released. The end of the wait is here in the form of a luxurious period account with nods to the literature of Jane Austen which has been released in the middle of Christmas. The Bridgertons have established this 50-year-old television production company as the queen of guilty pleasure, achieving an audience of more than sixty million viewers around the world since its premiere. The series remains the most watched on the platform and Netflix’s algorithms are very opportunely already recommending the series. movie Pride and Prejudice after viewing. Keira Knightley’s. Shonda Rimes is considered one of the most powerful women in America and the hit of this new fiction will help to consolidate it in this position. When the creation of Disney + was announced, the big N pulled the checkbook to snatch two of its great values in the series market from its competition: 300 million for Ryan Murphy and another 100 million for Rimes. While the first has started to make series like churros, the second had been waiting. Until now.
Period costumes and ballroom dancing for a fiction that shows what the complicated world of the London high society marriage market was like in the early 19th century. That moment when great families had to find a husband for their daughters and secure a good dowry. The protagonist is a heroine who turns this system upside down, devising all kinds of tricks so that she is not imposed by a husband. The love story between Daphne Bridgerton (Phoebe Dynevor) and Simon Basset Duke of Hastings (Regé-Jean Page) is a clear product with the brand of the Shondaland factory. Yes, that production company that for years has had as its logo a great roller coaster whose tracks run through a giant heart. Your viewers may be prepared to go through an emotional whirlwind, in which virtually every character suffers for love. There are impossible romances, secret crushes, hatreds that are capable of leading to perdition and, above all, sexual awakening. There are many sex scenes in The Bridgertons. When Shonda Rimes worked for generalist networks, these images could not be very explicit. But now on online platforms, the situation has changed. These moments of The Bridgertons in which their protagonists indulge in carnal pleasures are very important for the plot because they show the evolution of the protagonist. Daphne goes from being an innocent and virginal maiden, to a sexually fulfilled woman who takes the initiative in encounters with her husband. Like Claire Fraser (Caitriona Balfe) in Outlander. Daphne is one of the characteristic heroines of the Shondaland factory, who is on her way to climb a podium where she will rival Meredith Gray (Ellen Pompeo) from Grey’s Anatomy; Olivia Pope (Kerry Washington) from Scandal; or Annalize Keating (Viola Davis) from How to defend a murderer. Although Rhimes is limited to appearing in the credits as an executive producer, everything bears her stamp. The person in charge of the adaptation of The Bridgertons is Chris Van Dusen, a regular contributor to the production company.
Another aspect that has raised the odd blister among the usual is the racial issue. Blacks and whites in 19th-century English high society rubbing shoulders with you and without skin color being a reason for a scandal, despite the fact that in the plot this is still a world very given to getting their hands together. head for other trifles. The creators of the series have taken advantage of the fact that the action took place in the years when Queen Charlotte was the highest authority of the British Monarchy, to introduce revolutionary plot changes. It is about a real historical figure who had to assume the crown when her husband George III was incapacitated due to a mental illness. Charlotte of Mecklenburg-Strelitz’s African ancestry allows screenwriters to imagine a racially-free society in which people of color are common at court and in front of grand mansions. Even the author of the novels on which the series is based, Julia Quinn, was surprised by this fact, which seems to have not even been considered when she wrote them. But, according to his public statements, it is something that he has loved, because it reflects society as it should be. This is fiction and each author can do with their imagination what they want. Even Pride and Prejudice had its own movie version starring zombies. What this series does is something similar to what Ryan Murphy did in his Hollywood. Nor should we forget that Rhimes has always bet on racial diversity in all his series. Do not forget that he already did something similar in another title of the factory, Still Star-Crossed. A sequel to William Shakespeare’s classic Romeo and Juliet, where the racial question was another reason for the rivalry between Montagues and Capulets. This series, shot in Cáceres, was one of the factory’s great failures, but Could it be the embryo of what would later develop in The Bridgertons?
The presence of Julie Andrews stands out in the cast, whom we do not see at any time because it is her voice-over that tells the story. Her character is that of Lady Whistledown, a mysterious woman who from anonymity publishes all the gossip and scandals of high society. An entire blogger or influencer of the 19th century. It seems like someone omniscient capable of finding out even those passionate romances whose protagonists would prefer to keep secret. But make no mistake, continuing to appear in its columns is something highly coveted among all those who want to continue to be in the spotlight. His mysterious identity is another of the plot engines of this first season of the series and that, without the intention of spoiling anyone, we will see at the end. We can already count on having new seasons of the series. There are up to nine published novels about the Bridgertons’ love affairs. Rhimes has entered Netflix in style and this year the premiere of the second of his series is expected for the Inventing Anna platform with Julia Gardner (Ozark), Anna Chlumsky (Veep) and Laverne Cox (Orange is the new Black) among their cast. Fasten seat belts. The roller coaster ride of the heart has only just begun.