Electra, the great theatrical download of Galdós against the religious orders at the dawn of the 20th century, it points to the heart of today’s Spain surrounded by the advance of reactionary conservatism in times of crisis. Your review regenerationist, anticlerical and feminist myth of Ancient Greece He returns to the stage on the 120th anniversary of the national premiere that convulsed the two Spains that Machado described, and he does so in the theater to which the famous writer lends his name on his native island, with three performances from today until Sunday.
Produced by D&D Company and under the address of Ferrán Madico, this tribute to Electra’s theatrical revolution already crowned a Galdosian event last 2010, but the production company has rescued a part of the team to once again challenge society with the validity of this scenic emblem of modernity.
The assembly of this version produced by D&D Company brings together part of the team that it had in 2010
“I think the greatest strength of this text by Galdós is its validity: how some words written in 1901 resonate so strongly now,” says actor Jorge Yumar, who co-stars in the montage on the skin of Máximo’s character, along with Clara Chacón, who gives life to Electra. “I think that this news is what has marked me the most, because it addresses issues and ideological confrontations that point us directly and that affect us in our day-to-day life.”
In the plot of this Electra, the protagonist is an 18-year-old girl who is orphaned and is taken in by her aunt Evarista, and who later falls in love with Máximo, the latter’s nephew. But then, the gloomy Don Salvador de Pantoja discovers that they are both brothers and that he must seclude himself in a convent, where the ghost of the supposed siblings’ mother, Eleuteria, will appear to Electra to reveal the falsehood of that legend.
Along these lines, one of the keys to the Galdosian revision of Electra resides in her representation of women -which, on the other hand, backs up the whole of Galdós’s literary and theatrical work-, where she formulates a message of freedom against the obscurantism, fanaticism and lies that, for some time now, take a position in different parts of the world. «One afternoon, during a rehearsal, we discussed what was happening in Afghanistan, which is not as far as it seems, or even, in our day to day, that freedom to be who you want to be and to be able to do what you want to continue questioned, because repression or certain ideologies make us incapable of being as free as we would like or as we really are ”, reflects Yumar.
Regarding his character, the actor celebrates the opportunity to give life to Máximo, who in the play spurs the protagonist to break the chains of a life destined for submission. “The independence. The emancipation … More clearly, the insubordination », collects the Galdosian text in the words of Máximo.
“From the first moment he has seemed a beautiful character to me, because Máximo helps Electra in that process of being free without anyone getting in the way or locking her up in someone who is not,” says the actor. Besides, Clara [Chacón] and I connected from the first moment and we supported each other a lot on stage, and I think that connection is noticeable ».
Along with Yumar and Chacón, this adaptation that closed the prestigious Mérida Festival in 2010 once again has a large part of the original human team, made up of interpreters such as Sergio Otegui and Antonio Valero, to which is added an important list of actresses and actors like Rebeca Sala, Bernat Muñoz or Marta Gómez; the canaries Ciro Miró, Jon Rod, Blanca Rodríguez and Adriana Ubani; as well as the adopted canaries Sofía M. Privitera and José Luis de Madariaga.
Solidarity with La Palma
The Electra Solidaria initiative will allocate the proceeds from the box office to those affected by the La Palma volcano, a gesture of solidarity with which to dedicate said economic contribution to the acquisition of material and basic necessities for those affected by the volcanic eruption that is taking place. producing on the island. This action has been organized by all the institutions involved: Las Palmas de Gran Canaria City Council, Gran Canaria Cabildo, Canary Islands Government, DD & Company Producciones, producer in charge of the theatrical work and the Las Palmas de Gran Canaria Auditorium and Theater Foundation. Tickets can be purchased through the ticket offices of the Pérez Galdós Theater and Alfredo Kraus Auditorium, as well as through the website www.teatroperezgaldos.es. | LP / DLP.