September 22, 2020

The Cicca inaugurates the photographic exhibition Urban spaces, human spaces – The Province

The Cicca inaugurates the photographic exhibition Urban spaces, human spaces - The Province

The Exhibition Hall of Initiatives Center of La Caja de Canarias (Cicca) hosts, from this Thursday, March 21 and until May 3, the sample Urban spaces, human spaces, an exhibition that displays a selection of photographs that are part of the Antonio P. Martín, photography collection, and that belong to two independent series of this anthology.

The exhibition brings together some of the works that make up these two series, which highlight the large formats of urban spaces, with their buildings and noise, intimacy, small and medium formats, with the silences of human spaces.

The exhibition consists of 44 photographs of thirty-seven men and seven women, of which works ranging from 1952 to 2017 can be contemplated. Among the authors are artists from 22 countries. Spain is represented by the creations of twenty authors, seven of them from the Canary Islands.

The authors whose works will occupy the exhibition hall until next May 3 are: Angel Luis Aldai, Chema Alvargonzález, Nabuyoshi Araki, José M. Ballester, Sergio Belichón, Bleda and Rosa, René Burri, Javier Campano, Carlos Canovas, Vari Caramés , Teresa Correa, Felix Curto, Christo, Larry Clark, Juan Manuel Diaz Burgos, Elliot Erwitt, Manel Esclusa, Nat Filkenstein, Tato Gonçalves, Frank Horvat, Tom Hunter, Axel Hutte, Alfredo Jaar, Andrea Joshch, Philip Lorca Dicorcia, Esko Manniko , José María Mellado, Francis Naranjo, Jorge Ortega, Juan Peiró, Bernard Plossú, Concha Prada, Humberto Rivas, Thomas Ruff, Rafael Sanz Lobato, Carlos A. Schwartz, Frank Thiel, Néstor Torrens, Spencer Tunick, Ian Wallece, Miwa Yanagi and Shizuka Yokomizo.

The 10 best in Spain

The Antonio P. Martín, photography collection it can be classified as one of the ten best private collections of contemporary photography in Spain and the most significant in the archipelago.

The exhibition invites both the enjoyment and reflection of an artificial and human environment, such as cities, that space created as a second skin, the most external, of its domestic environment and, at the same time, the most public of the humanized spaces. Perhaps the most shocking, yet enduring, imprint of human creation.


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