In the mammoth Mad Cool there is always room for the unexpected. That something happens between Miles Kane and George Fitzgerald that leaves the staff on the verge of unreality. For example, to sound the chords of a rumba that dreams of freedom, to escape to the jail of marginalization.
Last night, without warning, at the big event, Los Chichos appeared and people asked themselves: "Are they illusions"? There appeared Emilio González Gabarre (Madrid, 1947), founder of the group with his brother Julio (Madrid, 1952), and the son of the first, Emilio González García Junior (Madrid, 1969), who joined the group after the death of Jeros. The rumberos of El Pozo del Tio Raimundo, a place name that scares just by pronouncing it in Madrid, had announced its withdrawal until a couple of times with a trilee spirit: «We have never stopped being active. Actually we had thought about leaving it a few years ago but we stayed at home for a month and we did not know what to do. My father got bad, so let's continue until the body endures, "says Emilio Jr.
At his side, his uncle Julio corroborates the trap: "If we ever said to retire, it was only to create expectation. If necessary, we will die on stage ». Their fans demanded one more effort: «Why do you think we are here? The chicheros started to write to us and to say that we could not stop. And we continue because we sing about life, reality and the street, says Julio González. We already did it with the dictatorship. We write '' La cachimba '' and also '' I want to be free ''. And we have always followed the trend of singing real songs, talking about problems, although that was what politicians should do. But since they did not say it, someone had to do it. And if we remain active, it is because reality remains the same ».
Young people have regained interest in the rumbas of Los Chichos or Las Grecas. "We are now followed by three or four generations, but the average audience is between 18 and 26 years old. We met 46 as a group and were supposed to follow older people, 50 or older. But our music is a photograph of Spain's past and that is still interesting, "says Emilio Sr..
The group already appeared at Primavera Sound two years ago and regained a certain fever of live activity, a new validity. "We do not go out of fashion because we talk about the core, the problems you and I can have, everyone. And because good songs never go out of style, "says the older brother hours before his star appearance on the Vibra Mahou stage, which is not even a typical stage, but a bumper car attraction located in the middle of the festival and that the delight of the attendees. Well, until a prudent hour, when there is no longer a driver's license that will not even hold a pneumatic car. «How can people not be identified with us? Who does not have a friend or family member with drug problems or love and lack of love? We are universal, "they proclaim.
Now, this statement sounds like a postmodern one, but in its context, in the 1980s, Los Chichos were cornered. On the left they looked like clowns and, right, thugs. "We have always had more value and more reality than politicians, who should talk about people's problems. They should work for the people and for the people. And that continues happening nowadays. We only see politics of insult, luckily we are to get into all the puddles. Politics should be that, but it is not, "says Julio, who specifies that they are apolitical, and that they would like" the good of all sides together. "
However, some realities have not changed that much. «40 years ago we made a song about macho violence. '' Papa, do not hit the breast, '' and that has not been recognized. Never. We have always been marginal because we sang problems and that was better to cover it up, to do nothing and that the problem did not exist. Say there was no drugs or crime on the street. We were politically incorrect. "
You can not doubt your contact with reality. As Johnny Cash did in his day, Los Chichos went to act in a presidio. "In one? In all! In La Modelo, in Meco, in 1 and 2 ... - Julio lists -. In all where they have called us. We did it because they are songs that go with the inmates, like '' I want to be free '' or '' Freedom '', for example. And because we were going with pleasure. We have had friends in prison ». The prisoners, with them, laughed and cried. «Well, they cried more than they laughed. Is that if you arrive and ask them how they are ... Well, what do you think ... It's hard ». Therefore, few musicians have gone to a prison to act. "I do not know, we have our idiosyncrasies and we like to help. Apparently, is not what is standard among our peers, "says Emilio son.
Some of his most famous songs talked about crime and were soundtracks of the cinema films «quinqui» or they sang to those characters from the bad streets, many of them killed by drugs or violence. «All that was not a defense of the crime, it was telling the reality. What we want is that nobody has to commit a crime to move forward ». In addition, his music has a content of, modern word, "transversality": "We like equally to payos and gypsies. Well, I think more like payos. And we do not understand borders or nationalisms. They love us in Catalonia, Galicia and Madrid. We are chicheros and period ». And there were hundreds in Mad Cool.
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