The project ‘The Archaeological Legacy of the Canary Islands‘supposes a tour of the Aboriginal past of the Archipelago. Via unpublished, high-quality photographs jTogether with the narrative of the prestigious archaeologist and winner of the 2011 Canary Islands Award, it gives visibility to the rocky past of the islands. It is a digital dissemination initiative that had the support of the Government’s Culture and Cultural Heritage area, through a call for the selection of proposals for new formats that would promote creativity and dissemination in 2020, and which is now shown .
The page on the Archaeological Legacy of the Canary Islands, with texts by the Dr. in Archeology and professor at the University of La Laguna Antonio Tejera and photographs of Tarek ode, is a digital and informative space that aims to reach the general public of a didactic and visual form. It contains different chapters that summarize all the knowledge about Aboriginal economy, housing, political organization, society, religion, cultural components, rock manifestations and idols. Next, each island has a section in which the most spectacular and important archaeological sites of each of them are exposed, places where our ancestors performed their rituals, with stone engravings or paintings, or lived in caves or cabins.
In this sense, the digital tool (https://ellegadoarqueologico.blogspot.com/2020/12/el-legado-arqueologico.html#more) compiles a detailed study of each station or rock site of those selected by each island. In Tenerife the soliform of Masca, Aripe, the checkerboards of San Miguel, the Funerary Cave of San Miguel and Ifara were chosen. Gran Canaria, Roque Bentaiga, Cenobio de Valerón, Majada Alta, La Cueva Pintada, Cuatro Puertas, Cuevas del Rey, Risco Caído and Cañada de los Gatos. In La Palma, La Zarza, La Fajana, El Verde, Roque Teneguía, El Corchete and Las Lajitas. In La Gomera, the Roque de María Pía, Toscas del Guirre, Ancón de Guanchipe and the Aras de Sacrificio (Lomo Piquillo). In El Hierro, El Julan, Montaña Quemada, Los Saltos de la Restinga and the Cazoletas de Gorona del Viento. In Lanzarote, Tenésera, Montaña Guatisea, Peña del Letrero, Cueva Palomas, the town and the burial mounds of Zonzamas and the Casa Honda de Testeina. Finally, in Fuerteventura, Montaña Blanca de Arriba, Tindaya, Barranco de Cavadero, Valle de la Cueva and La Muley.
Regarding the images, given the great diversity of cave elements that exist in each site, the most important thing has been captured, looking for the beauty of the images that relate the engravings or places of settlement with the environment. This is because the ancient canaries did not do anything at random, each aboriginal sign is interrelated with the environment, seasons of the year, crops, livestock, etc.
It should be noted that the photographic archive includes images of phenomena never photographed, such as the 4-Door solstice, the Bentayga equinox and the Risco Caído light phenomenon entering and marking the cups with the dome of Cave 6. In addition, With this work, practically inaccessible places such as Cueva de Las Estrellas in Gran Canaria have been reached, thus obtaining the first quality images of it.
This project aims to take a further step in terms of visual knowledge of our archeology integrated into the environment while being a fundamental didactic, artistic, scientific and educational tool for future generations.