The exhibition, which can be visited until October 13, and is organized by the National Museum of Theater and the Miguel de Molina Foundation, was first seen in 2009 but has now expanded sponsors with Miguel Poveda and Martirio, as well as documents , photos, writings, posters, posters, documentaries, costumes, booties and blouses.
At the opening of the exhibition, which are commissioners Beatriz Patiño and Molina's nephew and president of the foundation, Alejandro Salade, the vice president of the Government, Carmen Calvo, stressed that it recovers "the buried memory" of those who suffered the Civil War in the republican side and expresses through the song the pain and emotions of those "difficult times", according to Efe
Born in Malaga in 1908, Miguel de Molina had to go into exile in 1942, after passing through the prisons of Cáceres and Buñol for "fag and red", to Buenos Aires where he was expelled at the request of the Spanish government.
He left for Mexico but the intercession of Eva Perón got him back to Argentina, where he became a star again. In Buenos Aires he died on March 4, 1993 and was buried in the Pantheon of Actors of the Chacarita after 50 years of exile.
Molina wanted to dedicate himself to the show from the age of 13 and started as a dancer before devoting himself to singing and making his own pieces like "Ojos verdes" or "La bien pagá", but Molina was, above all, a creator, who put his imagination overflowing in all the details, from the wardrobe to the signage.
With his characteristic snail hairstyle at the temples, his hat thrown back and his everlasting cigarette between his fingers, Molina created a performative universe of his own in which the big sleeves afaroladas and the boots with geometric drawings "very Picasso" had a fundamental role .
The exhibition brings together 23 pairs of boots, several full suits and 16 blouses of sleeves afaroladas that are each a prodigy of haute couture and conservation, such as a rose with pleated fortuny or other organza in which you can read artist's dedications of the time and friends.
Magazines and posters of films like "Luna de sangre", "Esta es mi vida", "Manolo Reyes" or "Chuflillas" or the show "El amor brujo" that he represented in the 1933-1934 season at the Liceo, populate walls and showcases.
You can also see photos dedicated by Raquel Meller, Celia Gámez, Carmen Amaya, María Félix, Maurice Chevalier, Libertad Lamarque, Luis Mariano, Argentine Empire, Antonio, Pastora Imperio, Estrellita Castro or Manolete.
Drawings by Lorca, Falla, Jacinto Benavente and Alberti, from whom the exhibition recovers an engraving dedicated by him to the "grace and art of Spain", and portraits "of the greatest" of the time are also exhibited in the exhibition on this star of the Republic that was persecuted after the Civil War.
In a "dungeon", in which also hang some of his shirts to act, a booty and some of his suitcases, you can hear the story of the artist telling how one night in 1939 they went to look for the theater Pavón, where he performed, and ended up taking him to the top of Paseo de la Castellana in Madrid to give him such a tremendous beating that they thought he had been killed
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