The 37th International Music Festival of the Canary Islands, held between June 27 and August 1 in the eight islands under the organization of the autonomous government, culminates with a positive balance both from an economic and artistic point of view. The first summer edition, and perhaps the most difficult to carry out in all its history, has managed to close with a zero deficit and a great reception from the public. Strict health protocols have been applied in a festival that involved the mobility of more than half a thousand artists around the archipelago and with a capacity of up to 55%.
The 37th FIMC has had a much more complicated organizational structure than usual, due to several factors, all of them related to the pandemic situation that we are going through: from the change of dates of celebration itself to the development and application of the health measures plan that affected each phase of the Festival’s production.
Despite this, 38 of the 44 concerts were held initially scheduled. All the sanitary protocols worked perfectly and in the routine controls only the case that affected the concerts of the Canary Islands Youth Orchestra, which finally had to be postponed.
In total, the FIMC has had the participation of 527 artists from different parts of the planet, of which 42% are from the Canary Islands. All of them, among groups, conductors and soloists, have integrated the concert teams of the Encounter Orchestra, Mahler Chamber Orchestra, Basel Chamber Orchestra, Gran Canaria Philharmonic Orchestra, Tenerife Symphony, Friborg Baroque Orchestra, Philharmonic Orchestra of Bavarian Chamber, Arriaga Trio, Budapest Festival Orchestra, The carnival of the animals, Così fan tutte and the recitals of Maria Joao Pires and Thomas Hampson.
The concerts were held in 18 cultural spaces on the eight islands, in collaboration with the Cabildos and municipal corporations, and with the initially planned attendance of the public. In addition, the capacity for ten of the great concerts was sold out. In this sense, the Festival team is very grateful for the affection and complicity shown by the Canarian public, with their good reception of this program.
An extended thanks to the participating artists and to the cultural spaces that hosted the 37th FIMC appointments that, “in these complicated circumstances, always had the utmost professionalism and respect for health protocols, which has allowed us to end up with a very positive balance” , says the vice-minister of Culture, Juan Márquez.
On the other hand, it is worth highlighting the important media impact that the 37th FIMC has had at the national and international level. The presence in the islands of leading world figures such as Gustavo Dudamel attracted the attention of large media that have dedicated extensive reports and special programming to the Canary Islands Festival. An example of this are the production of La Ventana by Cadena SER, with Carles Francino, in Gran Canaria during the first week of the Festival, and the extensive report on the experience of the Encounter Orchestra published in The weekly country.
In this sense, Márquez recalls that “one of the objectives we set for ourselves was to help the recovery of the Canary Islands by projecting a powerful image as a cultural destination. The agreement with tourism companies, such as the concert in collaboration with the Hotel Santa Catalina, the impact on national programs or the advertising on social networks that artists and visitors have provided us, place us on a path that we must continue to explore for the Canary Islands to take place. to know what it is: a territory of culture ”.