Terry Gilliam: "We live in the era of victims" | Culture

Terry Gilliam: "We live in the era of victims" | Culture

Terry Gilliam does not shut up and that sometimes ends badly. "You can not debate," "nor do comedy as before," denounced the former member of the Monty Python. He is fed up with political correctness, that "many self-censor for fear of offending someone." He prefers to take the risk and, in fact, sometimes hurts sensitivities. "We live in the era of victims," ​​he summarizes.

He says what he wants and a good proof of that was his response to an interview with The Guardian. "I am a black lesbian", the filmmaker argued sarcastically about the policy of quotas on television. But his most controversial controversy in recent months broke out in March when he assured that the movement #MeToo it had become a mob. "A horde is thrown with torches to burn the castle of Frankenstein," he told France Presse.

"We want people to be friendly and intelligent, but we do not like to debate. When you say the wrong word, your argument is over, "Gilliam assured EL PAÍS on Thursday at the Los Cabos Film Festival. The filmmaker has come to the south of the peninsula of Baja California (northwest of Mexico) to present, for the first time in Latin America, his latest and most traumatic film The man who killed Don Quixote.

Gilliam has been obsessed with the ingenious gentleman of La Mancha for almost 30 years. Three decades in which the filmmaker has suffered all kinds of misfortunes until the project is finished. A devilish film that has had to change several times as a protagonist – Johnny Depp, Ewan McGregor and Jack O'Connell, among others – have passed through it, who have seen two of its main actors – Jean Rochefort and John Hurt – die and in which justice has had to intervene to allow its release.

Gilliam feels a certain emptiness after having declared herself the winner in this battle in the face of misfortune. "I do not know what I'm going to do now. I had never met without a project in hand, "he laughs. He has put an end to this cursed film whose first producer, the Portuguese Paulo Branco, ended up resolving his differences with the filmmaker in court. There Branco argued that he still had the rights to the film and therefore tried to avoid its premiere until last May the justice dismissed his appeal and was screened in Cannes. A film that actually began filming in 2000 in the Bardenas Reales. But the lack of budget, the floods in this semi-desert area of ​​northern Spain and the noise of NATO planes in a nearby base frustrated the filming.

The historical epochs are mixed in this film, in which the imagination of the protagonists is transferred to the 17th century, while constant references are made to the current moment: even Donald Trump comes to light. Gilliam considers the antithesis of the main character of the work of Miguel de Cervantes. "It's a dark demon," he summarizes. "While the madness of Don Quixote leads him to transform the world into a better and more beautiful place, Trump is the opposite," he says.

The US president has become a recurring theme in Gilliam's talks and in fact, among his biggest fears is that the president can start a war to keep himself in power. After the interview, In a conversation with the Mexican writer Juan Villoro, he will add: "It has unleashed chaos. The Pandora's box has already been opened. "

This filmmaker who was born in Minnesota but who left the US nationality for a long time is left without a homeland. He moved to London, but since the Brexit referendum does not stop thinking that he actually left "from one hell to reach another."


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