Erin, the flammable protagonist of the hilarious and brilliant Derry Girls (Netflix), wants to be a writer. She has a poster of Angela Lansbury in her room – she never loses It has written a crime – and another one from The Cranberries, because probably there is nobody in Ireland to admire more than Dolores O'Riordan, the only Irish neighborhood girl of almost world fame.
We are in the nineties, at some tense moment of the so-called conflict in Northern Ireland, in a Catholic institute for girls in which, like in any other institute in the world, battles are fought every day, miraculously surviving. particularity that violence real that surrounds the protagonists translates into acid and savage dialectics in the classrooms.
Politics is present as something that not only does not help but spoils everything it touches. To the Derrynians They find it exhausting: any bomb warning paralyzes the whole country during a damn day, and does that mean that girls will not be able to go to school? "I've endured them all summer!" Erin's mother cries out in a first chapter that can be framed by the narrative through Erin's own diary.
And that makes it frankly current. Is there a country in the world where politics has not become an added problem? The fear of its creator, Lisa McGee – who is telling herself through Erin – that nothing she had lived was universal, was more than unfounded, probably contaminated by the negative identity that England has forced on them. build.
Lucky the spectators of the 21st century, that we can not only enjoy a delight punk as Derry Girls – authentic to say enough: your two main actresses are, in fact, girls from the same institute they speak of – but discover that one of the best kept secrets in the UK is a sense of humor that is blatantly antibritish from Northern Ireland.