We have already entered 2019. There are only 11 months left for Rick Deckard, a blade runner of the old school, start your replication hunt for a rainy, sad and electronic Los Angeles. It is the moment when Akira, a boy with extraordinary psychic powers, crosses in Neo-Tokyo with Kaneda, brilliant leader of a band bōsōzoku (delinquent motorcyclists), riding the most fascinating motorcycle in the history of cinema. So much Blade Runner as Akira, summits of the cinema cyberpunk, based on stories of rebellion and freedom, could not pass in the authentic 2019, in which the cinema will continue dumb and crushed by superheroes: this season there will be more films of this genre than in previous years: sequels, sagas, adaptations of comics. .. Actually, this year is more like that described in Pursued, that movie of 1987 that adapted a novel of Stephen King with a prisoner Schwarzenegger embarked in a mortal contest that already they wanted it in Telecinco. Or to the Daybreakers (2009): someone is sucking someone's blood.
Taquillazos. There will be room for a superhero, with Captain Marvel, directed by Anna Boden and Ryan Fleck, and premiere on March 8, Women's Day, but the #MeToo healing wave will take time to see itself on the screen. among those blockbusters will be the closing of the The Avengers saga with Avengers Endgame, beside Terminator VI, other Spider-man, the end of Star Wars with the Episode IX… The conglomerate Marvel / Disney / Lucasfilm / Pixar, which will grow with the absorption of Fox, will launch new Dumbo, The lion king Y Aladdin and continuations of Frozen Y Toy Story In these new versions for new generations, there will be a Little Women directed by Greta Gerwig and a Joker with Joaquin Phoenix. And in the wake of box office surprise of 2018, Bohemian Rhapsody, Rocketman will bring Elton John's life to the screen.
Netflix. While Disney prepares its own digital platform, the big producer on-line presents some titles that will put the Cannes Film Festival between a rock and a hard place: Will the contest reject? The Irishman, the new Martin Scorsese mobsters, and The Laundromat, by Steven Soderbergh, about the roles of Panama, as he did with Rome? Yes Rome does not win the Oscar the best movie for Netflix, The Irishman could achieve it in 2020. The Spanish branch of the platform has announced that they will premiere exclusively 90 films. There is that.
Author's terror. The genre that gives more joy to his followers, a faithful girl who enjoys a revision of the commandments of terror made by creators who want to give him author skating and social references. They will premiere It: chapter 2; Us, by Jordan Peele (Let me out); Glass, by M. Night Shyamalan, which closes the trilogy of The protected Y Multiple. There I could enter The Dead Do not Die, Jim Jarmusch's zombie comedy.
The classics that do not fail. The creators always interesting, the filmmakers with few blots in their career. Premiere of James Gray, who jumps into science fiction with Brad Pitt Ad Astra; François Ozon, who delves into pedophilia in the Catholic Church with Grâce à Dieu; Roman Polanski with I accuse, on the Dreyfus case; Ken Loach (Sorry We Missed You); Claire Denis, who has also switched to science fiction in High Life; Bong Joon-ho (Parasite); Apichatpong Weerasethakul (Memory); Jacques Audiard will premiere the pride in Spain The Sisters Brothers, one of the best films of the festival circuit of 2018; Michael Winterbottom (Greed); Barry Jenkins (The blues of Beale Street); Ang Lee (Gemini Man); Richard Linklater (Where'd You Go, Bernadette); Giorgos Lanthimos (The favourite, who could enter these Oscars); Paul Verhoeven, always on the edge, premieres Benedetta, the life of a seventeenth-century nun who had erotic visions; Lars von Trier and his exploration of what art is Jack's house; Nuri Bilge Ceylan with The wild pear … And we'll see if Terrence Malick has finally finished his vision of the real story of an Austrian conscientious objector in World War II.
Literary adaptations. The novel by Donna Tartt The goldfinch arrives at the movies with Nicole Kidman and Sarah Paulson. It's a bet for the awards season as The woman in the window, what fits the homonymous novel by A. J. Finn, with Amy Adams, Gary Olman and Julianne Moore. And Kirsten Dunst debuts as a director with The bell jar, of Sylvia Plath.
Tarantino In itself, a whole genre. Quentin Tarantino will premiere Once upon a time in Hollywood, with Leonardo DiCaprio and Brad Pitt playing a television actor in low hours and his double in Los Angeles in 1969, where they will cross their steps with emerging stars such as Sharon Tate (Margot Robbie), a few days after being killed by the Manson family. The 50 anniversary will be celebrated on August 9 of that massacre. The cast is full of illustrious and interesting names … starting with a rookie in Tarantino's world: Al Pacino.
Spain. Pedro Almodóvar has immersed himself in his own feelings and delved into some of his vital episodes with Pain and Glory, that will premiere on March 22 with Antonio Banderas as his alter ego. For half a year later, in September, Alejandro Amenábar is scheduled to be in theaters While the war lasts, the last months of the life of Miguel de Unamuno, in which he suffered the confrontation with Millán-Astray in the rectory of the University of Salamanca. They are the two big bets of the national cinema, which hopes to recover something joy at the box office after the sad 17.5% market share of 2018. Isabel Coixet will be the first of the big ones in brand new, with Elisa and Marcela, that competes in the Berlinale, and that recreates in black and white for Netflix (will be the Rome Spanish?) the first lesbian marriage, which was held in Galicia in 1901.
For Netflix Daniel Sánchez Arévalo has also filmed the comedy Seventeen; and for Telecinco Cinema Álvaro Fernández Armero If I were rich and Carlos Therón I leave it when I want. Koldo Serra's directors with a pulse for the action will premiere (70 binladens), Daniel Calparsoro (The silence of the white city), Paco Plaza (Who to iron kills), Fernando González Molina (Legacy in the bones, second part of the Baztán trilogy).
Santiago Segura will debut in summer Father there is only one, and another of the bets for the box office and the Goya will be The infinite trench, of Arregi, Garaño and Goenaga, the creators of Loreak Y Handia, that show the life of a mole that hid in his house three decades at the end of the Spanish Civil War.
They will also have a new movie this year Benito Zambrano (Outdoor, on the novel by Jesús Carrasco), José Luis Garci (The crack zero), María Ripoll (Live twice), Gerardo Olivares (4 cans), Rodrigo Sorogoyen (Mother, that takes to the long its short homónimo), Santi Amodeo (Me, my wife and my dead wife), Marina Seresesky (The never seen), Alice Waddington (Paradise Hills), Achero Mañas (A normal world), Víctor García León (The Europeans, adaptation of Azcona's novel) and Jonás Trueba (The virgin of August). In animation Buñuel in the labyrinth of turtles illustrates the filming of the genius in 1933 of the documentary Las Hurdes, land without bread.
Three proper names to finish. The actress Ingrid García Jonsson will premiere five films this season. And Javier Ruiz Caldera and Juan Antonio Bayona will face two separate projects, nowadays, secrets, to feed 2020.