Roger Hodgson has the recipe for happiness - La Provincia


Roger Hodgson's Korg organ released the first chords of Take the Long Way Home and the music crossed by Seven Palms as a call sign for the tribe. Something primitive, animal, seized the night when, immediately, the harmonica began to sound. To all present, suddenly, the song took them to another place. It didn't matter if the trip was temporary or space. Some moved 40 years ago to celebrate rock as that simple pretext to be happy. Others simply let their ankles move disguised under their seats. Regardless of age or condition, without perhaps having looked in the face before, when people realized, the recital was already a party: everyone danced around the fire.

The 40th anniversary of the publication of Breakfast in America it was the excuse that brought Roger Hodgson back last night, but the British musician turned the concert into a celebration of Supertramp. Before 3,500 fans, who sold out in the Annex of the Gran Canaria Stadium, reviewed the album that in 1979 became a celebrity to the band that led, along with Rick Davies, rescued the classics of the best stage of training - between 1970 and 1979 - and left the usual script with which he has drawn the repertoire of a tour that started at the beginning of the year in New Zealand and that will close in Canada. If someone expected a setlist No fright, yesterday he missed the shot with Hodgson.

Finalized Take the Long Way Home, Hodgson pulled another classic to keep the fire alive: School, a common theme during the first minutes at each stop of this tour. For almost six minutes, from the first scream released by the harmonica, with Hodgson himself on guitar and the soprano saxophone accompaniment and the final tapping of the organ, the public went into a trance. For a moment, the problems disappeared and only the music shook the bowels of those present. That illusion served as a preamble to one of the most intense moments of the night: when it linked Breakfast in America, Easy Does It / Sister Moonshine Y Hide In Your Shell. The first was celebrated as a song to victory; the medley served as a bridge; third it was danced as the blessing granted by a shaman.

That last night will sound Hide In Your Shell in Gran Canaria was made 24 hours before, at the press conference that the musician offered to present the Show. There, in a pleasant conversation with the journalists and after being questioned for his favorite song among all the subjects he has signed, Hodgson posed the same question to those present. And there he was surprised when someone pointed Hide In Your Shell, a theme that, in the words of the musician himself, had disappeared from his concert repertoire by " be a very difficult song to sing live".

Released the wink of Hide In Your Shell, which sounded like a gift to Gran Canaria fans, Hodgson pounced through the songs, at the controls of his organ, like the old sage of the clan that everyone resorts to when a problem arises. With his hippie-touch dress, like the one still anchored in the California spring of love, the Portsmouth artist handled himself comfortably when he pulled the solo published songs - Lovers in the Wind, Death and a Zoo (with the help of Google Translate of your mobile to speak in Spanish) or Only Because -Lord is it Mine- and stirred the troop when, in between, with the unmistakable melody of The Logical Song.

For the final berth, Hodgson reserved six hymns. He asked people to get up from their seats and free themselves from all evil. They rang in line Had a Dream, Child of Vision, Dreamer, Fool's Overture (with the "Never Surrender" by Churchill included), Give a Little Bit and It's Raining Again. The recipe of happiness. The fire in the bonfire. No more is needed.

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