June 18, 2021

Raquel Sánchez Silva, the ‘blank canvas’ of Spanish fashion



The presenter of the “Maestros de la Costura” program, Raquel Sánchez Silva, has become the “best” ambassador of Spanish fashion, a “blank canvas” in the weekly showcase provided by the television program, as defended by the ‘talent show’ stylist Elena de Lorenzo.

The head of styling since the first edition of the Spanish Television sewing program, art historian and costume designer of series like “West. Living without permission”, “The embassy” or “The Prince”, explains that Raquel Sánchez Silva ” it’s like a blank canvas. Everything looks good. “

Since its inception, the production of the program considered that in addition to a contest it must be a catwalk of the Spanish fashion and with those wicks began to work on the collections that were presented on the Spanish catwalks at that time.

“All designers opened the doors of their workshops” to facilitate that the program could exhibit the “great design we have in our country,” he says.

The connection and passion of Raquel Sánchez Silva for the world of fashion and his “professionalism” facilitates the task.

“She saw what we said, but first there is a previous joint work to which she contributes with brave and daring ideas,” says De Lorenzo.

Precisely, the stylist believes that “success” lies at that point. “Raquel leaves very convinced of the garment that looks in each program and defends it naturally. Everything fits her.”

The stylist explains that although the collections of each designer are analyzed – “we don’t close to anything” – they try to adapt the contents of the program to the wardrobe. From there, they select the garments so that they adapt to the subject to be treated.

In the same way, if a guest designer comes, like “deference” they try to make the presenter look one of her designs. The same happens if they visit the firm’s workshop: “We try to have their designs represent them,” he says.

De Lorenzo does not remember any particularly difficult time to choose a dress, as they are sure they are “lucky” to have the collaboration of the creators. “We are facing the challenges thanks to this collaboration and the great talent that exists in our country.”

Perhaps this is why its biggest challenge is to overcome a “look” compared to the previous one. “We set the bar very high and we must maintain that level,” always putting in value the “talent” and “quality” of Spanish fashion.

But he laments that in each edition “there are designs that stay in the way”, although they try to retake in the following season the signatures that could not be in the previous one.

The fact that the presenter shows more pieces at night marks the time at which the program is “broadcast”. And on the other hand, the stylist argues that the creativity of the designs is more “enhanced” in the nightwear where you can perceive a more artistic work, with a richer and “spectacular” design, with a lot of “fantasy”.

The jury’s costumes also go through their hands: Lorenzo Caprile, María Escoté and Alejandro Palomo (Palomo Spain) also have their criteria.

Although the last two introduce some garments from their collections into the program’s locker room, De Lorenzo warns that the three juries are “generous” and “grateful” professionals, who understand that they must be ambassadors of other collections.

“They are not presenters, they are designers who present and you have to respect their tastes and their trajectory,” says De Lorenzo.

With Caprile there was a sharing to decide his wardrobe. “He is passionate about pictures and tweed jackets,” which is why it is very common to find them in his jackets.

The people responsible for the program, however, did not think of “dressing” the contestants, a way to strengthen who they are, “to respect their personality” and thus make the public feel more identified with a mistress from home or with the most “eccentric” apprentice.

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