The Cuyás Theater will soon host two functions of Fausto project, proposal of marked Canarian character of the Tenerife company Delirium Theater who turns 35 on stage. The assembly, which was presented this Thursday by its director, Severiano García Noda, and by the author of the text, the palm tree Antonio Tabares, together with the artistic director of Cuyás, Gonzalo Ubani, is based on a true story: the mysterious disappearance of a ship that, in 1968, covered the route between El Hierro and La Palma with three fishermen and a passenger on board.
In this case, the story is told through the voice of four women (Irene Álvarez, Lioba Herrera, Carmen Hernández Y Soraya González del Rosario) condemned to the loneliness of those who wait, to the anguish of not knowing the truth and to the pain of loss. They are the women of the Faust whose same feelings live today thousands, even millions, of human beings throughout the world.
The work, which has the collaboration of the accordionist Pablo Gonzalez Perez, is represented in the Cabildo Theater on January 17 and 18 at 8:30 p.m., and its tickets are on sale through the usual channels available to the Canary Foundation of the Performing Arts and Music of Gran Canaria: the box office and the Cuyás Theater website, www.teatrocuyas.com.
Among his awards, five 2018 Replica Awards, granted by the Association of Performing Arts Companies of the Canary Islands, in the categories of Best Theater Text, Best Direction, Best Actress, Best Scenic Space and Best Lighting.
Its managers explain that the origin of the project is at sea. “We were looking for stories that had a relationship with the sea for a long time. The ocean as a condition of insular character, but at the same time as a vehicle to address issues such as emigration, exile or uprooting,” according Antonio Tabares, for whom “the scenic representation of the sea, in addition, poses important creative and technical challenges when facing the staging.”
In that search “we found an exciting real episode that immediately captured our imagination. The case of the fishing Faust, a ship that in 1968 disappeared completely inexplicably while covering the route between the islands of El Hierro and La Palma with three fishermen and a passenger on board, “he adds.
“Despite the formidable air and naval deployment that was organized to search for the ship, despite the fact that it appeared fortuitously on two occasions, the Faust disappeared again at sea even more mysteriously, amid the rumors of a rocambolesco kidnapping or a possible escape to Venezuela at a time when emigration to that country was the natural exit to a desperate situation of poverty, “concludes the author, who emphasizes that, although all this is told from the point of view of the women of its four crew, Fausto project “It transcends the local by addressing issues such as waiting, hope or the inability to know the truth about so many episodes of life, in addition to, of course, love.”
For the textual development of the work, those responsible carried out extensive documentary research work, as well as interviews with protagonists and direct witnesses of the tragedy, to form “a show halfway between the theater, document and the meta-theater in which they live the poetic, the ritual and the fleshless, “according to Tabares.