August 3, 2021

Pochettino, against the amusement of the public | sports

Pochettino, against the amusement of the public | sports

Mauricio Pochettino was asked about the fashion debate in talks organized by the RFEF and the Argentine decided to go into the bush. He recalled, to begin with, that he himself comes from a country that won two worlds with diametrically opposed styles, children of space but grandchildren of the ball, to end up complaining about the loss of prestige that he feels, hovers over football in a long, martial, counter-coup. … "It seems that if you do not play from behind with the goalkeeper, you do not play football," the current coach of Tottenham lamented. His response reminded me of the advice of an old journalist who, on one occasion, warned me about the danger of phrases that begin with a "seems".

Directors, coaches, footballers, journalists and fans are the five guilds that Pochettino could allude to in their complaint. As for the first ones, the bosses, there does not seem to be sufficient consensus to point them out, although it is true that some have abused a discourse as imprecise as pretentious when it comes to positioning their brand image and giving themselves some importance. As for the coaches, with few exceptions, they usually scrupulously respect the work of their colleagues while journalists or commentators, we know, have an impact on what we can understand, which often does not have to be completely in line with the reality. So things, we are the footballers and fans as alleged culprits, precisely the two estates that could most influence the mood of a professional coach.

The vision of the footballer has changed a lot in recent times. Gone are the days when the technician was able to convince a violin to sound like a drum, although for everything there is an exception. "There are coaches who are afraid of freedom because they understand football only from the order without exceptions, that's why they outline it," said Diego Latorre back in June. The modern footballer feels the need to be the real protagonist of the game, hence the negationist proposals are interpreted as distrust in their own abilities. To watch them contact with the ball implies a certain disregard and that is why many of the problems that arise, often between directors and protagonists, are based on.

Thus we come to the scrutiny of the fans. In Notes of the ball, (editorial La Esfera), Jorge Valdano echoes some statements of the then coach of Valencia, Claudio Ranieri, in which he claims to be bored when his team plays and plays. "I want to win, not have the ball," sentenced the Italian. "Ranieri believes that without the ball it is easier and I believe that without the ball it is more difficult … And more ugly," Valdano replies. Last Wednesday, without going any further, many fans of Tottenham rose from their seats and dismissed with applause the Barça players. Do Spurs fans often behave with those rivals who simply defeat their hosts? Perhaps that spontaneous reaction refers to Pochettino with his vague "seems", as if somehow it bothered him that the amateur no longer agrees with the role of animator undaunted and claim, increasingly, his right to have fun: that yes It is a difficult movement to corse.

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