October 23, 2020

Pessoa, the poet of restlessness and balsam | Culture

Pessoa, the poet of restlessness and balsam | Culture



Pablo Viar (Bilbao, 1974) read the poetry of Pessoa in adolescence and was definitely trapped. Since then, the work of the Portuguese poet has not stopped accompanying him. He has spent years researching and traveling to Lisbon, the city of colors, in the corners where he lived and worked, to trace the vital enigmas of Fernando Pessoa (Lisbon, 1888-1935), the poet of sadness. The theatrical director premieres at Abbey Theater from Madrid Enigma Pessoa, a work that delves into the legacy of the author of Book of restlessness from his trunk, the one that the Italian writer Antonio Tabucchi called "trunk full of people". The show, starring David Luque and Emilio Gavira, with all tickets sold, will be on the line from this Thursday until next Saturday, before starting a tour through different locations.

"There is something about the figure of Pessoa that I love and is that, despite being the poet of restlessness, the reading of his work is very restorative. It is one of his wonderful paradoxes. It is a soothing and comforting company. Pessoa has a charm that never wears out, "he says. Viar before attending the final rehearsal of the function. "It's like a magical character because it combines depth and lightness," adds Viar, caught up in the literature of this elegant man, of an eternal hat, who had a deeply sad existence and who, according to his own confession, gave up a life to change of literature. "And of a literary glory that he did not know in life," says the director of editing, in which, with a profusion of audiovisual, literary and visual elements, all those characters invented by the poet from his childhood, figures of unreal dreams , all that fictional world of friends and acquaintances.

The function does not intend to cross the abyss of the author's immense poetic work, nor does it seek to travel through the literary games of Pessoa, but, following a biographical and chronological thread, offer a vision about the fact that all the heteronyms that were populating their life, among which his teacher Alberto Caeiro stands out, are part of his own person.

The man who proclaimed himself the enemy of "ignorance, fanaticism and tyranny" was, for Viar, a brave author for his way of facing the vital anxieties that persecuted him. "Pessoa faced face to face his internal dilemmas, as great poets do. In his case, in an obsessive way and until the end, "says the author, who recognizes that the most painful thing in this journey of dreams, which goes from childhood to the death of the writer, has been to renounce certain poems or texts. Viar has dived deep wisdom and anguish and loneliness of the writer, early orphanage (his father, a music critic, died of tuberculosis while he was a child), who was forced by the new nuptials of his mother to move to South Africa and away from the interrupted children's paradise. "Far from unraveling the Pessoa enigma, my pretense is to share it," concludes Viar.

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