Pedro Almodóvar will adapt ‘Manual for cleaning women’ | Culture



Pedro Almodovar He had been with both projects for a while, but he has only made them public in interviews that have accompanied his attendance at the 92nd Oscars. And both will be in English. The director, candidate with Pain and glory, will first shoot a short film based on the work of Jean Cocteau The human voice, monologue written in 1928 that will star Tilda Swinton It will be filmed in Madrid in April, and the action shows a woman's final call to her lover. That material was already part of Almodóvar's inspiration for the script of Women at the edge of a nervous attack. In the web IndieWire He points out that it would not last more than 15 minutes and that he is working with Tilda Swinton on the update of the Cocteau monologue "which reflects an outdated character, a mentality that does not exist today." And about Swinton, he says: "Tilda is as I had dreamed. Open and intelligent"

But in addition Almodóvar continues with its adaptation of five of the 43 stories that make up Manual for cleaning women, from Lucia Berlin, one of the books whose reading has most impressed him in recent years. The stories unfold between Texas, Oakland and Mexico, in English and Spanish, and therefore will be the debut in English in a long. Almodóvar had already been offered projects to lead in the US, including A care nun or The newspaper boy, although they were commissions and he never felt that they left him organically. Even wrote Juliet based on texts by Alice Munro for Meryl Streep, before deciding that the story would work much better in Spain and moved her from place and language, losing on the trip to the Hollywood star.

Now Manual for cleaning women it arises instead of him, and for that reason in a possible work calendar he would like to release in the season of autumn festivals The human voice and then undertake the adaptation of the Berlin narratives. In IndieWire, Almodóvar explains of Lucia Berlin: "She was not very different from Alice Munro. Berlin was an alcoholic and married a drug addict. She was a complicated woman," who worked on what she could to live, although she left a "wonderful" literary legacy.

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