Chamber music, especially Spanish, is the specialty for which the Cassadó Duo has been opting for more than two decades, composed of pianist Marta Moll and cellist Damián Martínez, who participate in the International Music Festival of the Canary Islands (FIMC) as protagonists of a cycle that takes place from Tuesday to Saturday in the non-capital islands.
The Cassadó Duo tour started last night at the Church of the Candelaria, in the Herrera municipality of Frontera, where they offered a concert with the title Ibero-American Echoes, and that both musicians reviewed a selection of pieces considered true treasures of music Spanish classic with works by Gaspar Cassadó, Ernesto Halffter and Manuel de Falla, in addition to another by the Argentine master Astor Piazzolla.
The contribution of this prestigious duo to the FIMC will continue today, Wednesday, January 15, at the House of Culture of El Paso, in La Palma; tomorrow Thursday 16 in the Art Hall of the Cabildo de La Gomera; on Friday 17 at the Auditorium of Corralejo, Fuerteventura, to conclude on Saturday 18 at the Cueva de los Verdes, in Lanzarote.
All the recitals include the same repertoire and will begin at 8:30 p.m., except in La Gomera which will be at 8 p.m. Tickets can be purchased in advance at www.entrees.es, except in El Hierro and La Gomera, which are freely accessible.
The talent of both musicians will be focused, in particular, on the interpretation of South Rhapsody, by Cassadó, Fantasía Española, by Halffter, a selection of the popular Spanish songs by Manuel de Falla (The Moorish cloth, Asturiana, Jota, Nana, Song and Polo), as well as El Gran Tango, by Piazzolla, which will soon be the centenary of his birth.
One of the characteristics that define the programs addressed by these performers is the search for a connection between the compositions and the authors they select for their concerts. Gaspar Cassadó, who was one of the most celebrated cellists of the 20th century and gives his name to the duo, is present through South Rhapsody, which the Barcelona teacher dedicated to Halffter, or Manuel de Falla, who was Ernesto Halffter’s teacher, will sound in his Spanish compositions.
“Normally we try to have a connection in the program. In this case there is a very interesting link and it reflects very well the Spanish musical heritage and the development that there was in the 50s of all the aesthetics of Spanish music, of all the European vanguard , because all these composers met in Paris. For us it is very important to have a theme, a motivation, also to place the public in a context, in an aesthetic and in a specific emotion “, explained Marta Moll, spokesman of this rapport .
The Cassadó Duo, considered the most brilliant representative of Spanish chamber music in the world, is the first time he acts as such in this Canarian meeting, where they will demonstrate their special sensitivity and ability to bring classical music to the general public. “We are very committed musicians with chamber music and we are giving Spanish music a lot of visibility outside the country. I think chamber music is very close to the public and it is very easy to organize and assist with making music more honest and close as possible, “he said.
Some time ago they decided to focus much of their efforts on the dissemination of Spanish chamber music abroad. Even the Barcelona pianist Alicia de Larrocha, the most international that this country gave, called them the brightest duo in this specialty currently in Spain for its exquisite musicality and sensitivity, as well as originality.
“Spanish music is like our country. It is full of folklore of very different colors, aromas and different styles and this is reflected in Spanish music that feeds on even Arab and ethnic roots in general. Spanish music is very interesting, it is of tremendous depth and uses all folklore in a cultured way. “
He also said that “I think we have an absolutely exceptional heritage that is required in the world. Perhaps we do not take care of it or appreciate it enough because it really is at the level of the whole history of our Spanish painting, of literature … Music at Being a universal language connects very well in different countries, “this young pianist and teacher defended.
Italy, France, Israel, Canada, Colombia, Argentina, Germany, Switzerland, China, Portugal, Colombia, England, United States or Morocco are some of the countries in which they have left the Spanish musical pavilion very high, one of their main intentions .
“Our work as young musicians is to connect with people, no matter the age”, in addition to trying to break the idea that classical music is for elites or very specialized audiences.
“I think that in our country if there is a bit of crisis because there is no training in schools about classical music, then, of course, if people do not go from very young to the auditors in the end they look like places where the entrance is not open to the public.I think that one of the great challenges as a society is to bring culture to all children and that the formation in Humanities starts as early as possible.We must take care of this part that makes us more human, more sensitive and more open to the world, like art. “
From his point of view, music is for listening. She will already take care of her attractions to connect with people. The public that approaches the concerts programmed by the 36th Canary Islands Music Festival on the stages of El Hierro, La Palma, La Gomera, Fuerteventura and Lanzarote can check it on the spot.