May 10, 2021

Our concerts are like the record, dark with a little light


Barcelona, ​​Apr 21 (EFE) .- Maria Arnal and Marcel Bagés wear white in their concerts to reflect as well as possible the little light that surrounds them, exactly the same that their album “Clamor” seeks, which plunges into a dark world in which a few rays of lucidity shine, which they collect “because they can mark a new direction.”

In the current tour of the band, which this week offers three consecutive dates in Barcelona -from April 22 to 24 at the Tívol Theater-, the two singers from Tarta Relena and the musician David Soler, who accompany the duo, also wear white. on stage.

“Clamor” is the title of the album and of the tour in which Maria Arnal and Marcel Bagés are immersed, two musicians deeply connected with the social reality that surrounds them, who became known with their previous album, “45 brains and 1 heart”.

“I started thinking about this album in 2017, when ’45 brains and 1 heart ‘had just come out. I was very happy because the album had been very well received and they kept calling us to propose concerts, but on a personal level I was in a moment of separation, a dark moment, of transition, and I was trying to find the lucidity that vulnerability sometimes gives you, “recalls the artist in an interview with Efe.

Throughout these three and a half years, this initial idea has added layers and the personal darkness of Maria Arnal has found many sister voices.

The first were found in the exhibition “After the end of the world”, which could be seen at the CCCB (Center for Contemporary Culture of Barcelona) that same 2017 and which spoke of how human beings have been destroying everything that surrounds them. over two centuries of intervention in natural systems.

“It is an album of concepts and ideas,” Arnal admits, “but it is also a story told by different voices. Each song is a story and whoever tells it is not necessarily a human.”

Thus, for example, the theme “The great silence” is inspired by a story by Ted Chiang and the point of view is that of a parrot that lives next to the Arecibo radio telescope (Puerto Rico) and wonders why humans are capable of sending messages to outer space in search of life and do not know how to communicate with the living beings with whom they share a planet.

In “Meteorit ferit”, the voice is that of a meteorite “that does not want to be a meteorite and feels vulnerable”, while “layer by layer it burns all its armor”.

All these animate and inanimate characters create the cry to which the album’s title refers, “a cry that has been heard for a long time, but that the pandemic has helped us to hear better.”

“The pandemic has to do with the climate crisis and, in the coming years, there will be many battles,” he predicts.

These multiple voices that make up the clamor that Maria Arnal feels around her are translated into an album in which Arnal and Bagés cease to be a band formed by a singer and a guitarist, as they have been up to now, to become more accompanied.

At concerts, Maria Arnal’s voice finds traveling companions in those of the vocal duo Tarta Relena, while Marcel Bagés’s guitar and synthesizers are enriched by David Soler’s, in an assemblage between choral and electronic music that expands the connection between tradition and contemporaneity that dazzled on his previous album.

Rosa Diaz

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