Of love | Television | THE COUNTRY



It does not stop being paradoxical the fact that a series that pretends to reflect everyday life is considered experimental and those that are based on extreme imagination are accepted normally. forever (Amazon), that of 2018 and not that of 2014, which have nothing to do, shows the life of a couple after 12 years of coexistence, even though from the first chapter the situation is complicated, although their desire to remain anchored in the usual.

The key to this desire are the dialogues of all those who appear in the eight episodes of their first season, which never exceed 30 minutes. They are deliberately banal conversations, typical of those who have been married for 12 years and who have turned routine into the star of the house. To some extent they could be locked between the dialogues of Woody Allen and those of the Tarantino of Pulp Fiction, especially in the conversation between Travolta and Samuel L. Jackson about hamburgers.

Our partner lives comfortably in Riverside, California. A neighborhood of single-family homes (the ones that Pete Seeger sang in his Little Boxes), with almost immovable habits bordering boredom. Something extraordinary happens in a skiing getaway and with some macadamia nuts, which we will not gut, which does not avoid that constant need to dissect love relationships from the everyday. June and Oscar (Maya Rudolph and Fred Armisen), tanned in Saturday Night Live, They are not willing to give up their inconsequential talks, however strange their surroundings may be, with a clause in their sixth chapter in which the protagonists give way to a heartrending love story between Sarah and Andre, an Asian American and an African-American.

An interesting and curious series that covers the entire spectrum of the critics, from "one of the best series of the year", to Hank Stuever, from The Washington Post, until a "confusing" for Caroline Framke, from Variety

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