Madrid, Jun 24 (EFE) .- The fabrics and paintings of the Argentine artist Vivian Suter arrive at the Reina Sofía Museum in Madrid in a sample of more than five hundred pieces in which work and assembly coexist to form a single “ecosystem” that shows the relationship of the author and nature, protagonist and participant of it.
“We come across an exhibition that, rather than visiting, we must inhabit”, said this morning during the presentation Manuel Borja-Villel, director of the museum and also curator of the exhibition that houses the Palacio de Velázquez in the Retiro Park.
The exhibition, made up of more than five hundred pieces, traces the trajectory of the Argentinean artist of Swiss origin Vivian Suter (Buenos Aires, 1949), and shows the viewer from works on paper made in the 80s to works made on fabrics in recent months , both adapted to the architecture of the space forming “an ecosystem”.
“We are facing an exhibition that questions many things, how the works are made and also how they are displayed,” the curator has remarked on the installation, which Suter has conceived as a construction of an enveloping climate for the visitor and that complements the work itself .
“The idea that I offer with this exhibition is that spectators can walk inside and feel part of a kind of forest,” Suter said during the presentation, referring to the distribution of the works, which, as specified by the curator, “is not they are placed by colors, themes or shapes, but rather are presented intertwined ”, adapting to the space they inhabit.
Canvases and fabrics are sometimes placed overlapping the central nave, creating a kind of “textile sculpture” in which, although each work has its own autonomy, it also maintains a connection with the rest of the pieces. The nave on the left houses productions from the artist’s first creation period in the eighties, and the right shows some works intervened by nature itself.
“Although the works have a lot of life there is not an imposition on the canvas, but a way of reflecting and dealing with nature, which is subject and object”, the director has added about this way of creating that “goes beyond art ”, By means of which in some canvases the intervention of some natural elements can be observed.
On unframed canvases, Suter’s work speaks of an “exchange with the cultural environment” between Western and Guatemalan cultures, approaching improvisation and using the motifs of nature as a source of inspiration and as actors in the work themselves. “Many of these works have been exhibited outside the studio, where they have perceived the wind or humidity.”
Dog tracks, tree leaves or mud stains evoke the sensory and climatic experience that the artist seeks to convey with her work, focused on these motifs since the flooding of her studio after experiencing strong tropical storms since 2005 in Panajachel (Guatemala) , where he lives and works since the eighties.
His work evolves in parallel to settling in this area through colorful paintings that symbolize the tropical landscape that surrounds his studio, which in works without frames suspended on cables invite the viewer to be part of the universe of Argentina, where wild nature She is a muse and also an artist through colorful pieces impregnated by the natural climate of the environment.
By María Muñoz Rivera