Thu. Dec 5th, 2019

Montse Barderi, la lluita per sortir del destí marcat



That 2019 is that of Teresa Pàmies, but also that of Montse Barderi (Sabadell, 1969), which is the Commissaria de l’any Pàmies and, at the same time, the Prudenci Bertrana amb prize has been guanyat L’aigua's memory (Column).

Barderi, specialist in studios de gènere, is a writer and philosopher, vessant in which he has published llibres divulgatius, but on this occasion he has fetched a considerable turn in a novel that goes through a family history: It is possible to explain moltes maneres, but a novel is the most important thing, it is more passionate, fins and more obsessive.







With a lesbian, m’era molt violent being objected by desig i m’amagava darrere de la roba ”



The novel·la L’aigua's memory explains the story of three generations of gifts, from l’àvia fins l’analfabetisme to the university of the net –Barderi s’ identifies both the third one–, but goes over “com, in few generations, venint de la poblaresa, gifts can reach a certain llibertat"

“The Mere Mare was Senyora de Fer Feines –continued–, treballava to the factory, netejava els lavadores dels amos … I jo tinc that felt like: I don't have to explain Dickens, I can explain nosaltres, from the point of view of the donut. The novel·la goes from the foundational moment that patim moltes gifts quan perme la mare, ens que soles al món i ens ask me what som i què fem. I will also learn to estimate, accept the things that you can't change. It goes from the mature d’un personatge ”.

He declares that it is not a free autobiographical feature, but that tea is a thing of life. “You come in, what a bad fan, and you come back, but the intimate teva is protected because I don't know what the truth is and what I don't know. I also think that this is free of charge l'he pogut escriure jo perquè hi ha una claim of classe, the humble Catalonia to defend. That vegada ho he passat molt malament escrivint ”.

Els seus humilia origin Amaren Tota la Història and remembers the Seventh University Period, in which it would be a matter of being with his companions, but the fear of being descoberta as an impostor: "One day they will be black."





The novel·la explains the history of the three gifts “from the fragmented memory of the net, the Núria. It's not three times, with s'ha dit, tot passa dins de la Núria, ”says Barderi. “There that they say that literature is, both the humility of the world, complete els fragments, as is an ambience, don jo ho he fet amb records potents. He is a veteran of the remaining pieces. ”

I turns the figure of the sea: “La mampre semper t’accepta, et pardon, is an unconditional love, what is the house, what does it have to buidar, what does something have to do … That is a difficult moment. I llavors passes to the first line of the people that will die, and some haurà de fer això mateix per tu ”.

It also appeared l’homosexualitat on the net: “És una transgressió volguda. Hi, the free ambience arrives at the same time, and at that moment the plans are set. The first part has a classic point and lesbian appearance is important because it is a disengagement from the peer authority for seeking authority on the books.

I reconeix that she is going to look for referents and information about l'homosexualitat als llibres "perquè els de la real real ere horrors". To the novel·la, els homes hi fan a paper galdós: “But we were a perill. At the bar dels pares, on treballava, I had to keep an eye on the fact that I did not touch the culinary and put up with them. They were perillosos, they were the llop"





He continues: “Hi ha carallots a tot arreu, no hi te res a veure amb the culture, i think that els homes have to make a complementary effort to overcome those rols de gènere ”. I confess: “Like a lesbian, m’era molt violent was objected by desig i m’amagava darrere de la roba. It arrives ostentatiously, darrere of the bar or asseguda to a taula, perquè em moria of win that somebody, fos dona or home, in wondering what arrived and poguéssim parlar de llibres ”.







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