Fri. Apr 10th, 2020

Moderna de Pueblo compares struggles for abortion in Argentina and La Manada in Spain

Moderna de Pueblo compares struggles for abortion in Argentina and La Manada in Spain



The Spanish illustrator Raquel Córcoles, known as Moderna de Pueblo, compared in Argentina the recent struggle for the legalization of abortion in the country and the sentence of nine years for rape to the members of La Manada in Spain, as two "battles" in which he did not beat "the will of the streets".

"With the green tide has happened the same as with the Pack", says in dialogue with Efe the Catalan author, two "battles" that for her "are already won".

Córcoles refers to a case of rape in a group in which five young men abused a woman during the San Fermin festival (Pamplona) that has shocked Spain during 2018 due to a controversial ruling by the judge in which he sentenced nine years in prison the group calling itself "La Manada", an insufficient sentence for the majority of society.

At the same time, the Argentine Senate did not approve the half-sanction that the voluntary interruption of pregnancy would have made into law, a campaign massively supported in the South American country and whose emblem continues to be the green handkerchief.

In both cases, Córcoles considers that a "will of the streets" has been ignored.

Córcoles (Reus, 1986), lands in Buenos Aires after passing through Mexico with his third graphic novel under his arm. "Idiotizadas, a tale of empoderhadas" that tells in a humorous way macho situations that mark the lives of women through particular princesses.

Zorricienta, Gordinieves and the Little Mermaid accompany the character of Moderna de Pueblo, who puts on the crown of "Sleeping Beauty" and vindicates her decision to turn off the biological alarm and not want to have children.

"The merit of what I like to do is that as it took me a year to reflect on a topic that someone else does not because it is going to stop with their life, that you read it and think that it is reflections that you can reach perfectly," he stresses. .

Regrets that the promotion of the book has not left much free time to walk through Buenos Aires, however, in his suitcase and brought some firm references in Argentina to lean on: the humorist and reference of feminism Malena Pichot, the cartoonist Maitena or the movie "Martín (Hache)" (Adolfo Aristarain, 1997).

The conventional means of communication carried by men and their change over the Internet has increased the volume of journalists, comedians and opinion makers to become "speakers", he says.

"I am convinced that right now the most important thing is that you make money, if your partner earns more, the first problem occurs." My colleague the Little Mermaid decides to stay at home taking care of the baby because he charges more than she does, if we have to do without a salary is that of the mother, "he explains before clarifying that" we are not educated to be ambitious. "

"Idiotizadas" (Editorial Planeta, 2018), is the result of more than a year of daily work and hundreds of conversations with Carlos Carrero, a couple of the illustrator and co-writer of the novel, a team effort in which he helps "organize the drama" of their macho experiences and narrate them in the different chapters.

"Sometimes he told me: look what a humorous novel is …", he jokes.

The salary gap, sexual freedom and the acceptance of beauty standards not stipulated are some of the rights that Córcoles carries as a flag in its first experience in Latin America, and qualifies that it is a continent that does not lack references.

"I already met Pichot in Madrid when I went to see her in fan mode, and the name of Moderna de Pueblo was also a little bit like 'Crazy Crazy', which I loved," she confesses.

Córcoles says that in "that time" they were both in a similar phase, since, he says, they were going through an "emotional rebound".

"A few years later our main interest is feminism, which I think defines this generation very well, we were with the roll of the princesses and we have already awakened," he says.

A generation also of contradictions, that "does not do what she talks", but that "no longer feels bad" for not waxing, dressing as she wants or not wearing makeup, an "awakening" that does not correspond, as she says, with the "topics" and "prejudices towards women" that he published in his second work "The buds do not give flowers" (Lumen, 2013).

"This book I think explains very well what happens now, hopefully in five years we will see it as macho, because it will mean that we have evolved, if in 20 years you can still give it to a young girl it still has those problems", indicates the artist.

He could not avoid, he says, using a play on words to title his story, but severe that, especially in the media, should remember not to pass the feminist discourse with the "three great allergies, sorority, empowerment and patriarchy "

Between defenders and detractors, the signatures of books bring you a return of the readers, who pass from daughters to mothers and even to boyfriends or brothers.

"If my work is useful for two separated friends because one is a feminist and the other is not, come back to understand each other, I think I'm doing well", concludes the Spaniard.

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