Most amazing of this book is that it says many things of the highest interest to all those interested in aesthetic (and even ethical) issues and that it does so with an equally amazing, completely unheard of naturalness. Miguel Mila (1931), the great Catalan designer who is the protagonist of this book, demonstrates that he possesses the same qualities as a person that we later perceive in his refined and simple designs, such as his unforgettable lamps – to name just these – that make our lives happy for being Useful and beautiful.
In addition, the designs should move, but the important thing is to remember that the emotion is already in the penetrating and absorbing look prior to the creation itself, and that what the designer does — and the same would be true for the writer, the composer, the painter – is to purify the forms so that simplicity appears in the final result, and emotion as well.
Outside the pretentious, the main black beast of Mila, because they are the denial of the truth that must accompany any design that aspires to last (and to accompany, and to thrill …). And it was also the fashions and above the path of the creators themselves, the only truth they can have, run the fate of their creations. And feel good about what is done, and live humor and love in everything, with everything and for everything. And knowing how to risk, even to lose, and defend Ikea for the wisdom and universality of their designs, and make tools a divine treasure and crafts a blind passion. The seamstresses and packers are serious and silent masters, witness the eyes of Milá, the true architects of their work, so truly essential.
The rest is delicious autobiography, where a kind of extraordinary family warmth appears, with that civil war in the background in that always emotional Barcelona and the aristocratic father without money but ethically exemplary, and the beloved children, and the friends also very loved … , yes pure and hard love, without more. An epilogue of Anatxu Zabalbeascoa It puts things in their place, even more so: the Milá designs “send an austere, cultured and ethical message”. Exactly like that.