Mexican restorer will work for a year with a scholarship at the Prado Museum in Madrid



Mexico City, Jul 6 (EFE) .- The young Mexican Silvia Ixchel García will delve into the restoration workshop of the Museo Nacional del Prado in Madrid for a year, one of the most important art galleries in the world thanks to a grant from the Foundation Iberdrola Mexico.

“When I finish this scholarship, I even said it in the interview (to be a scholarship), what I want is that everything I learn can come and put it into practice in our heritage and share with my colleagues, make it as extensible as possible”, The 31-year-old restaurateur told Efe on Tuesday.

García studied Restoration of Movable Property at the National School of Conservation, Restoration and Museography (Encrym), and currently works at the National Center for the Conservation and Registry of Movable Artistic Heritage, which belongs to the National Institute of Fine Arts (INBA).

This Tuesday the formal delivery of the Museo Nacional del Prado International Restoration Grant was held at an event in Mexico City in which the restorer was excited about the opportunity and the trip that, she said, if all goes well, will begin in September. .

Since then and for 12 months, García will begin to work and learn from the thousands of works that the Prado Museum houses. Fundación Iberdrola México will finance your stay.

THE APPROPIATE PERSON

Enrique Quintana, chief coordinator of Restoration and Technical Documentation of the museum, shared with the press through a video call the excitement of the entire team to soon receive Silvia Ixchel, who passed several complex tests and interviews to be chosen among more than 30 applicants.

“It has been wonderful to find a person (…) with great technical knowledge, a desire to work and a great knowledge of art. We loved him as a personality and as a professional,” Quintana said.

In addition, she agreed with the scholarship recipient regarding the return of learning, as she assured that “she is very young” and will be able to transmit everything she sees and includes in her experience and curriculum.

He also highlighted the importance of this grant in terms of the work of disseminating art and the link between restorers from Spain and Mexico, since “art does not understand borders”.

“I would like to increase our relationship between the Prado Museum and Mexico (…) I want this grant to be the first of many more,” he said.

Liébano Sáenz, Chairman of the Board of Trustees of the Fundación Iberdrola México, agreed with him, who defended the importance of Iberdrola diversifying its support and social work beyond those directly related to energy.

“This scholarship unites two of our pillars: culture and training,” he said.

And restoration is a profession not so well known, Silvia Ixchel considered, but with this type of opportunity it is given “diffusion and appreciation.”

When defining the restoration, the young woman stressed that it goes far beyond what one tends to think, since each piece has a story that the restorer must investigate, know and ask about in order to then be able to carry out an appropriate intervention.

“We make a diagnosis, we become his doctors, we see which foot is limping and why it has had these alterations. Once we know why, (…) from that what we do is that this value and meaning continue despite the passing of the years, because for something it came into our hands, “Garcia concluded.

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