The last works of Javier Marias, Javier Cercas, Joyce Carol Oates and the complete poetry of the Cervantes Prize Francisco Brines stand out in the editorial news of 2021, in which it will appear a posthumous Montalbano by Andrea Camilleri and a volume with unpublished stories by Marcel Proust.
‘Thomas Nevinson‘(Alfaguara), the new and long-awaited novel by Javier Marías, is set in Spain in 1997, and in it the author explores the underside of’ You will not kill ‘to raise a deep reflection on the limits of what can be done and not to do, against the background of the terrorism of the IRA and ETA.
In ‘Independence‘(Tusquets), Javier Cercas continues the cycle started with’ Terra Alta ‘(Planeta Prize 2019) and offers a portrait of the links between economic power and politics, the past and the present.
In the Spanish narrative Also noteworthy are ‘El huerto de Emerson’ (Tusquets), by Luis Landero; ‘Rodaje’ by Manuel Gutiérrez Aragón, ‘Gema’ by Milena Busquets and ‘Revancha’ by Kiko Amat (all three in Anagrama); ‘Man overboard’ (Plaza & Janés), by Javier Reverte; ‘So far we have come’ (Siruela), by Antonio Fontana; and ‘Humo’ (Galaxia Gutenberg), by José Ovejero.
Other novelties will be ‘Miss Marte’ (Alfaguara), by Manuel Jabois; ‘Caliente’ by Luna Miguel and ‘El third country’ by Karina Sainz Borgo (both in Lumen).
In the international arena will appear ‘Informer‘(Alfaguara), from the North American Joyce Carol Oates; ‘Yoga’ (Anagram), by Emmanuel Carrère; ‘Life plays with me’ (Lumen), by David Grossman; ‘The Day of Adjustment’ (Literature Random House, LRH), by Chuck Palahniuk; ‘Ellis Island’ (Seix Barral), by Georges Perec; or ‘Slaughterhouse Five or the Children’s Crusade’ (Blackie Books), by Kurt Vonnegut.
Also noteworthy in this area are ‘Esa gente’ (LRH), by Chico Buarque; ‘The anomaly’ (Seix), by Hervé Le Tellier, Goncourt 2020; ‘Escape route’ (Anagram), by Philippe Sands; “The Invisible Furies” by John Boyne, and “A Sweet Vengeance” by Jonas Jonasson (both in Salamander); ‘Luz de Febrero’ (Duomo), by Elizabeth Strout; Yoko Ogawa’s ‘The Memory Police’, and Alice McDermott’s ‘A Charming Man’ (both in Tusquets).
Also new will be ‘Amar a Lawrence’ (Anagram), by Catherine Millet; ‘The country of the others’ (Cabaret Voltaire), by Leila Slimani; ‘La Biblioteca de la Medianoche’ (AdN) by Matt Haig, ‘Gambito de dama’ (Alfaguara), by Walter Tevis; ‘Winter’ (Nordic), by Ali Smith; ‘A room full of broken hearts’ (Lumen), by Anne Tyler; ‘Burnt sugar’ (Today’s Topics), by Avni Doshi; and ‘Arboleda’ (Periférica), by Esther Kinsky.
Of Latinamerica will arrive ‘Back the view back’ (Alfaguara), by Juan Gabriel Vásquez; ‘El libro de Eva’ (Siruela), by Carmen Boullosa; ‘Catedrales’ (Alfaguara), by Claudia Piñeiro; ‘Declaration of dark songs’ (Sixth Floor), by Luis Felipe Fabre; ‘Human Sacrifices’ (Foam Pages), by María Fernanda Ampuero; or ‘National telepathy’ (Fulgencio Pimentel), by Roque Larraquy.
The ‘best seller‘will be represented by books such as’ La Orden’ (Harper Collins), by Daniel Silva; ‘Fleishman is in trouble’ (Umbriel), by Taffy Brodesser-Akner; or ‘Youth Lessons’ (Plaza), by Danielle Steel.
The black harvest tit will scratch ‘The protection network’ (Salamandra), before the last Montalbano de Camilleri; ‘Necessary Warning’ by Michael Connelly, and ‘The Explorer’ by Tana French (both on AdN); the return of Poirot by Sophie Hannah in ‘The murders of Kingfisher Hill’ (Espasa); ‘Quirke in San Sebastián’ (Alfaguara), by Benjamin Black; ‘Sons of February’ (Tusquets), by Alan Parks; or ‘Madame B’ (Reservoir Books), by Sandrine Destombes.
Other black novelties will be ‘The dark goodbye of Teresa Lanza’ (Grijalbo), by Toni Hill; ‘The nature of the beast’ (Salamander), by Louise Penny; ‘Regeneración’ (Roca), by José Sanclemente; ‘From the Dead’ (RBA), by Jonathan Moore; ‘Today I don’t want to kill anyone’ (Alrevés), by Boris Quercia; ‘Kalmann’ (Gatopardo), by Joachim B. Schmidt; ‘The first stone’ (Cathedral), by Val McDermid; or ‘The Forgotten’ (Main), by Chris Lloyd.
Without leaving the thriller Also they will be published ‘The threshold of the lie’ (Maeva), of Elly Griffiths; ‘His last day’ (Suma), by Shari Lapena; and ‘The last gift’ (Ed. B), by Sebastian Fitzek.
In historical novel ‘The name of ours’ (Destino), by Lorenzo Silva; ‘The weapons of light’ (Harper Collins), by Jesús Sánchez Adalid; ‘The Water Trial’ (Grijalbo), by Juan Francisco Ferrándiz; ‘1794’ (Salamander), by Niklas Natt och Dag; ‘The night of the shooting stars’ (Alliance), by Ben Pastor; and ‘Memory is you’ (Roca), by Albert Bertrán.
The same genre will be ‘The Chanel sisters’ (Espasa), by Judithe Little; ‘The women of the Red Orchestra’ (Harper C.), by Jennifer Chiaverini; ‘Nicole’ (Sum), by Virginia Gassul; and ‘La reina sola’ (Planet), by Jorge Molist.
Readers of fantasy genre they will be able to enjoy ‘The problem of peace’ (Alliance), by Joe Abercrombie; ‘The Symphony of the Unicorn I’ (Planet), by Tiffany Calligaris; ‘Puerto estelar’ (Plaza), by George RR Martin and Raya Golden; and ‘Pioneers of Russian science fiction’ (Alba).
All the poetry of the Cervantes Prize and unpublished stories of Poust
In poetry, ‘Essay of a Farewell’ (Tusquets) stands out, with the complete work of the last Cervantes Prize Francisco Brines; ‘Everything I need already exists in me’ (Seix), by Rupi Kaur; or ‘Los amores sucios’ (Aguilar), by Juan José Téllez.
Milestones of the first quarter will also be ‘The mysterious sender and other unpublished stories’ (Lumen), by Marcel Proust, with 8 unpublished youth stories for more than a century; and ‘Domingo’ (Cliff), by Natalia Ginzburg, which explores the limits of fiction, autobiographical narration and chronicle, with 7 unpublished stories.
Within the story will also be published in 2021 ‘Full Stories’ (Anagrama), by Ricardo Piglia; ‘The stories of Fata Morgana’ (Galaxia G.), by Jonathan Littell, never translated into Spanish; ‘Noticias del Antropoceno’ (Alfaguara), by José María Merino; and ‘Complete stories’ (Foam Pages), by Isaak Bábel.
Will not be missing classics like ‘Del reversés’ (Alba), by Jules Verne; or ‘Novels and amorous disappointments’ (Alliance), by María de Zayas, who, as Rosa Navarro explains in the prologue, would be another heteronym of the prolific writer Alonso de Castillo Solórzano.