The event is framed in the cycle El desorden ordinario, from the La Vierrina Image Center, in Barcelona. This show summarizes the distinctive condition of the DIY era, reciprocal smartphone surveillance, and horizontal spying. One of the most prevalent definitions of culture is that of «custom. The usual events take place at a meeting point between analog and digital experience: between materiality and interfaces.
Mariano de Santa Ana (Las Palmas de Gran Canaria, 1964) has edited the collective books Landscapes of Pleasure, Landscapes of the Crisis, Landscape and the Public Sphere, Memories and Oblivions of the Archive and Pop without Shine. He collaborates in El País and has written about art in magazines such as Exit Express, Quimera and Concreta.