October 30, 2020

Luis Tosar criticizes the controversy about Antonio Banderas as an actor “of color” – La Provincia


Luis Tosar, Anna Castillo, Álvaro Cervantes and the debutantes and young actors Moustapha Oumarou and Zayiddiya Dissou They star in ‘Adú’, a choral film directed by Salvador Calvo that focuses on the drama of emigration in Africa and premieres in Spanish cinemas on January 31.

During the presentation this Friday in Madrid, and asked about the controversy surrounding the reference of Antonio Banderas by some American media such as a “colored” actor, Tosar said in statements to Europa Press that this responds to the need to differentiate. “We care a lot about race and color,” said the actor.

There is something we cannot avoid and it is that the prominence of the white man for centuries causes what is happening today: that some want to claim more quota, with all the logic, and that still some of us are ashamed of being what we are or where we came from, “he said. criticized the actor in reference to the controversy generated.

In ‘Adú’, Tosar plays Gonzalo, an environmental activist who receives his daughter (Anna Castillo) in Cameroon to try to get her away from drug problems and redirect her life. Parallel, a six-year-old boy tries to sneak in with his sister on a plane to get to Europe, while in Melilla, a group of civil guards face the sub-Saharan who has started the assault on a fence.

In the case of his characters, Tosar gives life to a so that “has never been very present” and that “flees forward”, without “facing the ghosts of the past”. “He is terrified of peering into the abyss,” says the actor, who refers to Gonzalo as a man who “passes through the world, but the world does not go through it.” Sandra, her daughter, is “very lost, constantly evades drugs and desperately seeks to be loved and helped,” says Castillo.

In Tosar’s words, fiction helps the viewer at least “stop to think about what is happening”, while the news “They don’t give that opportunity” because “they are increasingly frantic.” “It is very difficult to digest and very overwhelming, it is done in a video clip, very shallow,” he criticized.

Voice to emigrants

The filmmaker Salvador Calvo debuted in the feature film in 2016 with ‘1898: the last of the Philippines’, an anti-war view of a real historical event, and this time he resorts to a current drama to deepen the real stories that hide behind the ” figures “of the thousands of people who arrive in Spain and see that “It is not so easy to tell them that they cannot enter.”

“‘Adú’ leads to understand why do these people take that trip with their lives, because they have no other left. Nobody wants to leave their family, their friends, because yes, but because they have no other choice. If they stay they will die, “said the director, who pretends to understand that” when one steals it is because there is no other. “

As he has said, this film emerged during the filming of his previous film in the Canary Islands. There, his partner accompanied him and, after working with the Spanish Commission for Refugee Assistance (CEAR), he learned a story that, as indicated, could be that of the protagonist of his film. “A six-year-old boy arrived with an alleged mother and two sisters and later it was discovered that they were not family, but that they brought him for organ trafficking, “he said.

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