From noon the rumor was news: Pepa Flores, the biggest object of desire of the night – with the permission of the other large local focus, Banderas -, was not going to be in a gala made to measure for «his unforgettable interpretations and for being one of the actresses most loved and remembered by the public », defended the Academy the decision. Not even taking the appointment to the streets of Malaga, partly as a measure of pressure and on the other hand as a merit of the city itself, was it possible to convince a woman saturated with so much public exposure for years.
María Esteve confirmed it on the networks: «Today is the Spanish film festival and my sister Celia and I can not be more proud to represent my mother and collect in her name that recognition so beautiful that the Academy gives her so much love and that makes him so excited, that he is the Goya of honor. Congratulations Pepita! You deserve it!”. To which Celia Flores pointed to the «admiration of your values and we want you to shine with more force, but in the place of calm that you have chosen. That’s why Pepita is an honor. With all our respect and love, always ».
An indelible name
This closed a pending fringe, doubt, but did not end with the name of Marisol, which sounded with the same force. It was even elevated to the category of that Constitution of March 19, 1812, in which the Spanish liberals proclaimed their adherence to the text signed in Cádiz. “Viva la Pepa!” Was heard in the halls, during the canutazos, and also on the stage of Martín Carpena from Malaga. If at the beginning of the 19th century the phrase was sung to coincide with the date with the day of San José Obrero, last night it was done in the right of Pepa Flores. This was how Javier Ruibal shouted shortly after the gala began, when he went out to pick up the head to the best original song for “Outdoor.”
But there was a moment of the night dedicated exclusively to her, only from Pepa Flores, although without her. Parenthesis in the middle of the gala to pay tribute to part of the history of our cinema. First Amaia came out to interpret «Song of Marisol», adapted by herself, but under the authorship of Augusto Algueró and Antonio Guijarro; and then the honoree’s daughter, Celia, appeared with “Being with you.” Once the song was finished, the other two daughters, Tamara and María, joined in order for the latter to take the initiative after collecting the Goya of Honor from EMilio Gutiérrez Caba: «More than 30 years ago our mother made the decision to get off the stage and turn away from the spotlights. And, today, excited, happy and super grateful to the Academy, to the classmates and to the congratulatory messages he is watching us from a quiet place and in front of a large television.