Laia Abril wins the Paris Photo-Aperture award for the best photobook of the year | Culture

Laia Abril wins the Paris Photo-Aperture award for the best photobook of the year | Culture



Each year 47,000 women die due to unsafe abortions. Why are they at risk? Laia April (1986, Barcelona), who looked back to emphasize "the long and continued erosion of women's reproductive rights." Thus, the photographer documented and conceptualized the risks and damages caused to women who can not access a legal interruption, safe and free. The result has been On Abortion; a disturbing photobook that has won the Best Photobook of the Year Award, Paris Photo-Aperture Foundation, during the celebration of the twenty-second edition of the largest and most relevant photographic fair, Paris Photo.

"It is not easy to talk about these issues," says the photographer. "I am happy for what the award means, and very grateful to the brave people who support and support these issues. We are in the year of the woman, but this is sometimes a double-edged sword. " Published by the British publisher Dewi Lewis, On Abortion It is the first chapter of a long-term project, A History of Misogyny. Another step in the consolidated trajectory of this author accustomed to delving into rugged issues, surrounded by taboos – such as eating disorders or sexuality – and which is among the four contenders for the prestigious Photography Foundation prize of the Deutsche Börse, together with Susan Meiselas.

The photobook, made in collaboration with the designer Ramón Pez, is part of an exhibition project held at the Arles Encounters of 2016. A hard and forceful testimony formed by a warp knit conscientiously woven with archive photographs, reconstructions and texts, which brings up the moral and ethical issues surrounding the subject. "It's a historical comparison of the past and the present," says the artist. "We often hear that the problem of abortion is something that belongs to the past, or what happens in undeveloped countries, but it is not. The rights of women are pendular, depend on who is in power. They relate to politics and religion. "

I study journalism. Documentary photography served as the background for the development of the career of the multidisciplinary author, who worked for Colors magazine, but she does not hesitate when making a reconstruction and "breaking down barriers or norms that do not serve to tell stories that sometimes do not can be visualized What ultimately matters is creating something that can get stuck in our memory and make us reflect, "he says.

The prize is included within the activities of the fair, which has become the world's great reference for the sector. Of the 167 galleries that were present in the last edition, three are Spanish. "This fair has been fundamental when promoting collecting in France," says Rocío Santacruz, director of the gallery that bears her name (the first Spanish gallery to be part of the fair, in 2013). This year she presented for the first time, and exclusively, the photographic works of Palmira Puig-Giró, along with those of her husband Marcel Giró, exiled in Brazil in the 40s and referring to Brazilian modernist photography. "The fair confirms the quality of Spanish photography, but it is a shame that it has little impact in our country. There are, and there have been, many very good and renowned Spanish photographers, but this is not reflected at the institutional level and in other issues. "

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