The Galdós Laboratory, after the exemplary initiative of scenic experimentation that took place between 2018 and 2020, yesterday presented the second edition of this ambitious project that broadens the dramaturgical scope of its tricontinental spirit, in the period 2021-2023.
Laboratorio Galdós Internacional, produced by the Pérez Galdós Theater and Unahoramenos producciones, with the sponsorship of the Cabildo de Gran Canaria, Las Palmas de Gran Canaria City Council, the Canary Islands Government, and the collaboration of the Agüimes City Council and other entities such as the SGAE Foundation , proposes three annual productions related to the contemporary dramaturgy of America (2021), Africa (2022) and Europe (2023), directed by the canary Mario Vega and that will be completed with the collaboration of different scenic spaces or festivals of the three aforementioned continents .
The first stage montage that will open this new triennium fixes its gaze on America. Clara y el abismo, whose text is the work of contemporary Uruguayan playwright Gabriel Calderón, will be premiered at the Pérez Galdós theater next September, with actresses Marta Viera and Ruth Sánchez. The aforementioned production, in which the music has as much relevance as the text itself, is an inspiring lesson in hope based on the cancer disease as a resource for reflection on life and death, with a musical libretto by the singer and actor Coque Malla. The rehearsals will be held at the Cruce de Culturas del Cruce de Arinaga Theater between the months of July and August 2021, to then be premiered on September 16, 17 and 18 at the Pérez Galdós Theater.
By 2022, the Galdós International Laboratory will work on a joint proposal with the Ishyo Arts Center in Rwanda. As top representatives of the aforementioned institution, the actresses Carole Karemera (Rwanda) and Cécila Kankonda (DRC / Belgium) will participate. And for the third year (2023) an agreement is being closed with the Limoges Festival in France. The Galdós International Laboratory will maintain the experimental spirit and the work and stage research processes around contemporary dramaturgy, as well as the role of citizen participation.