Journalists. Art of annoying the power is an album of photos that begins in black and white in 1977 in the old newsrooms in the city center full of smoke, alcohol, typewriters that clatter and shout and ends today in a pristine industrial buildings in which Editors are dumb, their keyboards do not sound and they only listen, with the headphones on, Spotify music. Juan Tortosa (Berja, Almería, 1953) has translated his X-ray of Spanish journalism into 315 pages, without revenge – "it is not an adjustment of accounts," he says, "although he then makes it clear that 80% of professionals" does not represent the decent journalism. " He said it at the Alberti bookshop where he presented his personal "deconstruction" of the profession surrounded by friends and colleagues from the numerous media outlets through which his professional life has been spent
Tortosa – who started his career in the Zeta group and has worked in TVE, Servimedia, Antena 3, CNN + or Público, among others – performs a "tremendous self-criticism of journalism, but at the same time praises it", according to RTVE journalist Fran Llorente. "It is a secondary of the life of journalism that becomes protagonist with this work," he added.
Tortosa considers that he has not written "a book of war stories, but a manifesto of the lived thing". He considers that "we have to punch the table so that journalists are as decent as we should be", because the author is convinced that most of the profession is not. "Journalism in Spain needs a 15-M. I want my family not to be ashamed of journalism, so I call on us to be more respectable. They do not represent me the tertulianos, those that fill the means ".
For Tortosa, newspaper companies and politicians pressure professionals to comply with their wishes. "The fellow does not want to bother his boss, the boss to the director, he just wants to keep his good salary and, in turn, not face the owner, who seeks to get the credits he needs," he describes. Perhaps, therefore, in its pages does not show much mercy to politicians and journalists, although it makes exceptions with entrepreneurs Jesus Polanco (Prisa), Antonio Asensio (Zeta) and Juan Tomás de Salas (Group 16). "And they're all dead," he recalls melancholy.
Equally critical -mentioned in the book to almost 800 professionals, businessmen and politicians- is shown with public media. "When I worked there, I spent 80% of my time defending myself against my colleagues. And now it is not better because of the networking of social networks ", although he is optimistic when he says:" But we are getting the bad guys not to win a war ". And rivets: "They must understand that the public does not belong to the one who has won an election".
He assures that the criticisms that appear in his book "are not personal, but global". "I'm the first one who does not take myself seriously. I do not try to provoke, but to relate. It is a starting point". Without account adjustments.