Sun. Dec 8th, 2019

Jos Naranjo presents his new book at Club La Provincia – La Provincia


These are the activities that the The Province Club offers for the week of November 18 to 24.

BOOKS

Monday, November 18, at 8:00 p.m.

The Niger River is born from the mountain of Guinea and crosses the Sahara desert. In addition, its channel is the cradle of historical African civilizations such as the Mali empire. The Grancanarian journalist José Naranjo took this natural phenomenon as a metaphor for Africa, where hope, life and illusion go through harsh and hostile situations, drawing a diverse continent full of contrasts. In his new book, 'The river that defies the desert', Naranjo portrays the landscapes and people who have crossed his path since in 2011 he decided to settle in Dakar, Senegal. The work is presented by the author and its editor, José Luis González (Azulia).

ECONOMY

Wednesday, November 20, at 9.30 am

Celebration of the BBVA Forum with a presentation by economist Daniel Nieva on sustainability in the banking sector, to give way to a round table composed of Oliver Alonso, CEO of the Domingo Alonso Group; José Juan González, CEO of Canaragua and Agustín Manrique de Lara, president of the Canary Confederation of Businessmen. Moderator Antonio Cacereño, director of LA PROVINCIA. Access with invitation.

BOOKS

Thursday, November 21, at 8:00 p.m.

Presentation of the book 'Obra menor' by Juan José Rodríguez Barrera (Mercurio Editorial), with the interventions of Samuel Rodríguez and Ricardo Pérez.

BOOKS

Friday, November 22, at 7:00 p.m.

Presentation of the work 'Uncertainties' (CanariaseBook) by Nacho Ramírez, which makes a compilation of brief reflections on matters related to art.

EXHIBITIONS

Until December 3, from 6:00 p.m. to 9:30 p.m. from Monday to Friday

The exhibition of María Castro, widow of the poet Juan Jiménez, brings together under the title 'That twenty years are almost nothing' two dozen oil works made two decades ago for a show in Madrid that by different avatars did not take place, so that the artist does not hesitate to describe her as regression.

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