What leads a person to commit a violent crime? What goes through his head at the time of execution? Literature and cinema have tried to answer these questions, often inspired by real murderers to create fictional characters, but the genre has grown in recent years and is increasingly focused on offering more portraits humansof criminals investigating their motivations. Just as in the past the psychopath tended to be stereotyped, the current represents him as the neighbor in front of him.
The new number of Babelia analyze this issue, not exempt from ethical reservations, with two broad articles. The first, signed by Luis Magrinyà, questions the motivations of those who decide to approach an assassin to portray him (usually for "informative interest") and concludes that often the search for an explanation is unsuccessful because, simply, there is not. "The interviewers envisioned by the penal institutions – criminologists and psychiatrists, for example – work in favor of the law and seek valid knowledge for the purpose of containment and prevention, but at the same time they provide the convicts, with their classifications and diagnoses, with a language they do not take long to take advantage of, because it gives them an identity they lacked, "Magrinyà writes.
In another article, Laura Fernández reviews the evolution of the genre in recent decades. "American Psycho (1991), the classic of Bret Easton Ellis, may open the vein regarding the representation of the psychopath as someone who could pass for a human being without becoming one," says Fernández.
Another outstanding article of the next number of Babelia He is the one who signs the Nobel prize for Turkish literature Orhan Pamuk about the photographer Ara Guler, who died last month, whom the writer claims as the man who invited him to look with new eyes at his city through his images. "His photographs also made me discover how much the inhabitants of Istanbul seemed more fragile and poor when photographed next to the monumental Ottoman architecture of the city, its majestic mosques and its magnificent fountains," writes Pamuk.
In other pages readers will find the usual book reviews, among which the one dedicated to Teju Cole's essays gathered in Familiar and Strange Things stands out. The art section opens with an article about the exhibition that the Reina Sofía Museum dedicates to the artists who worked in Paris after the Second World War.
The music section stars Lamont U-God Hawkins, a member of Wu-Tang Clan, who gathers his memories as a drug dealer and as a rapper. Theatrical critic Marcos Ordóñez writes about the Lithuanian director Oskaras Koršunovas.
In the opinion pages, Ana Llurba writes about feminism and Antonio Muñoz Molina describes a walk through Berlin.