ANDThe success of «Game of Thrones» is not alone in the fantastic staging. Nor is it only due to the seductive drip of an intrigue that envelops the eternal human mobiles: love and fear, hatred and ambition, in an inexhaustible contempt for the most basic natural rights, beginning with that of life. It is those men, as Hobbes wrote, who are "subject to a perpetual and incessant desire for power that only ceases with death."
It is not because "Game of Thrones" reflects a fantasy, magical idea of the Middle Ages, seen with the eyes of the late-romanticism, where honor, glory, royal houses, estates, feudal lords and the king protector constitute the essence of the community; that is, the coherent unity between the form of government, customs and social conditions.
The issue is that behind the series of that framework that George R. R. Martin has been building in his novels "Song of Ice and Fire", and as an advisor to the HBO series, There is a very intense political game. In fact, the writer has followed in the wake of Isaac Asimov, who took the history of ancient Rome for his initial trilogy of the "Foundation," published between 1951 and 1953. The history of the Roman Empire, Machiavelli wrote in "Discourses on the The first decade of Livy, "teaches any prince how a kingdom is built between glory, infamy, trust and fear. Thus Martin approaches the relationship between princes, saving the distances, of course.
La Khaleesi, "princess" in the figurative Dothraki language, belonging to the dethroned House Targaryen, exemplifies the role of liberating queen, even populist, whose conquest of power is based on what appears as the destroyer of tyrants. His army is composed of old castrated slaves. It has three dragons (and only two) who recognize her as her mother. The dragon in western mythology, unlike the eastern mythology, is linked to the evil-like in "The Hobbit" (1930) and "The Lord of the Rings" (1954) by Tolkien-, so in "Game of Thrones »symbolizes the control of the Khaleesi over evil. The legitimacy of the "Mother of Dragons" is in the awakening authority; that is, in the recognition of others of the goodness and coherence of their project.