May 11, 2021

French filmmaker Bertrand Tavernier, winner of a Golden Shell in San Sebastián, dies

French filmmaker Bertrand Tavernier dies at 79

The French filmmaker Bertrand Tavernier, known from movies like ‘Life and nothing else’ and ‘Today everything begins’, He died this Thursday at the age of 79 in Saint-Maxime, in Provence, according to the French press.

Tavernier leaves about thirty films which have been recognized internationally with awards such as four César, the BAFTA in 1990 for “Life and nothing else”, as well as awards from the Venice, Berlin and San Sebastian festivals. In the latter he received the Golden Shell in 1999 for ‘Today starts all’ He was also awarded in 1984 in Cannes Film Festival in the category of best director, for “A Sunday in the field.”

The Lumière Institute of Lyon, of which he was president, announced by Twitter “with sadness and pain” the death of the filmmaker, director of 31 titles including feature films, shorts and film segments with various authors.

The newspaper La Croix, with which he collaborated since 2000, advanced the news of his death without appreciating the reason for death, and praised his career, his generosity and his taste for cooking and literature.

Son of the writer Eric Tavernier, editor also of the literary magazine “Confluences“As a child, young Bertrand lived with literary luminaries such as Paul Eluard or Louis Aragon. The latter even lived with the family for a season.

Tavernier fell in love with cinema when, as a child, he was admitted to a sanatorium to cure himself of tuberculosis and never again separated from that childhood love.

He confessed in interviews that he had chosen the movie theater to develop a artistic activity different from his father and have his own personal space.

Tavernier assured that he loved everything in the cinema and, therefore, in addition to being a director, he was a screenwriter, dialogue writer and producer, even in TV. He also made documentaries and before shooting films he directed a film club and was a critic for several film magazines, including the inevitable “Cahiers du cinéma”.

In addition, he was a popularizer in France of American cinema from the 1940s, both consecrated figures and cult makers little known outside his country, and he published several reference books on this subject.

He worked with all the great performers of French cinema of the 1970s, 1980s and 1990s, such as Romy Schneider, Philippe Noiret, Michel Piccoli, Nathalie Baye, Isabelle Huppert, Jean Rochefort or Sophie Marceau, who offered him some of his most memorable roles.


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