Paris, March 25 (EFE) .- The French filmmaker Bertrand Tavernier, a true lover of the seventh art known for films such as “Life and nothing else” and “Everything begins today”, died this Thursday at the age of 79 in Saint-Maxime (southeast).
Tavernier leaves thirty films that have been recognized internationally with awards such as four César, the BAFTA in 1990 for “Life and nothing else”, as well as awards from the Venice, Berlin and San Sebastian festivals. He was also awarded in 1984 at the Cannes Film Festival in the category of best director, for “A Sunday in the Country”.
The Lumière Institute of Lyon, of which he was president, announced on Twitter “with sadness and pain” the death of the filmmaker, director of 31 titles including feature films, shorts and film segments with various authors.
The newspaper “La Croix”, with which he collaborated since 2000, also advanced the news of his death without specifying the cause, and praised his career, his generosity and his taste for cuisine and literature.
Son of the writer Eric Tavernier, also editor of the literary magazine “Confluences”, the young Bertrand lived with literary luminaries such as Paul Eluard or Louis Aragon since he was a child. The latter even lived with the family for a season.
Tavernier fell in love with the cinema when, as a child, he was admitted to a sanatorium to cure himself of tuberculosis and was never separated from that childhood love.
He confessed in interviews that he had chosen the cinema to develop an artistic activity different from that of his father and to have his own personal space.
Tavernier assured that he loved everything in the cinema and, therefore, in addition to being a director, he was a screenwriter, dialogue writer and producer, even on television. He also made documentaries and before shooting films he directed a film club and was a critic for several film magazines, including the inevitable “Cahiers du cinéma”.
In addition, he was a popularizer in France of American cinema from the 1940s, both of established figures and of cult filmmakers little known outside his country, and published several reference books on this subject.
He worked with all the great interpreters of French cinema of the 1970s, 1980s and 1990s, such as Romy Schneider, Philippe Noiret, Michel Piccoli, Nathalie Baye, Isabelle Huppert, Jean Rochefort or Sophie Marceau, who offered him some of his most memorable roles. .