Five key moments to remember Kirk Douglas, the last star of the golden Hollywood



Kirk Douglas, one of the most important Hollywood actors of all time, has died this Wednesday, February 6 at 103 years old. His eldest son, Michael Douglas, communicated the news through Instagram: "My brothers and I announced with great sadness that our father has left us."

"For the world, he was a legend, an actor of the golden age of films that lived well in his life. Golden years, with a humanitarian commitment to justice and the causes in which he believed set a standard to which we all aspire "he continued. "But for me and my brothers Joel and Peter was just my father; for Catherine [Zeta-Jones], a wonderful father-in-law; for his grandchildren and great-grandchildren, his dear grandfather; and for his wife Anne, a wonderful husband. "

At 103, Kirk Douglas was the history of cinema itself, the last great star of golden Hollywood. We remember some of his papers, from Van Gogh in The crazy red hair to the memorable Spartacusby Stanley Kubrick.

The lament of the mud idol

After having to deal with Robert Mitchum in Return to the past from Jacques Tourneur, or with Barbara Stanwyck in The strange love of Martha Ivers from Lewis Milestone, Kirk Douglas received his first major role and first Oscar nomination. His interpretation, surrendered and excessive, marked the path that other actors would follow in pugilistic works such as Robert De Niro in wild bull.

Douglas played Midge Kelly, an overly violent boxer who was engulfed in the worst worms in the world of gangsters. It was recorded in just 23 with very little budget, but it threw him to fame irremediably. The mud idol, by the way, can be seen in Filmin.

A ruthless producer in Captives of evil

Kirk Douglas put himself at the service of Vincente Minnelli to shoot one of the brightest satires that cinema has given of itself. In Captives of Evil, Douglas played a despotic and heartless producer who asked for help from a director (Barry Sullivan), an actress (Lana Turner) and a screenwriter (Dick Powell), whom he helped to succeed, but who in the background, they hate him.

An x-ray of stardom and its gears in Hollywood as smart as it is beautiful. And it is well known that the Academy likes to be criticized. Therefore, and for being an excellent film, Captives of evil was made with five Oscars, among which are the Best Screenplay or the Best Photography for a black and white lighting that captivated many viewers.

This is demonstrated in the scene where Kirk Douglas, a film producer come down, discusses with the director, played by Barry Sullivan, on how to make a horror movie without showing "the monster." "What scares the human race more than anything else? The darkness. Why? Because in the dark all things come back to life," he says excitedly about the idea of ​​a movie where the enemy was a cat-man Anyone would say he was referring to Cats.

Against military injustice Paths of Glory

This is possibly Stanley Kubrick's most politically controversial film, with whom Kirk Douglas would work on more than one occasion. Paths of glory was banned in France and at its premiere in Belgium caused manifestations of a virulence that had not been seen since The heroic kermesse.

Although the truth is that the facts narrated by Kubrick are rigorously historical: in the First World War a French officer ordered several of his soldiers to be arbitrarily shot to 'set an example' and not encourage insubordination. Among them was Colonel Dax who was given life by Kirk Douglas. Paths of Glory It can see on Filmin and in Rakuten TV

We all are Spartacus

Like almost every Stanley Kubrick production, Spartacus (1960) has become a phenomenon in itself and probably one of the most remembered films when it comes to honoring Kirk Douglas. The actor, also producer of the film, was the one who chose the person in charge of Paths of Glory in which he had previously intervened. However, the good relationship between the two ended with Spartacus, since Douglas wanted to have control of the script while Kubrick, meanwhile, pretended the same. Even so, the result is one of the best films in the history of cinema.

Van Gogh vs. Gauguin

"I am not afraid of emotion. When I paint the Sun, I want to convey its movement, its great light and heat. When I paint a peasant, I want to feel him bathing the wheat fields," says Kirk Douglas playing Vincent van Gogh in the movie The crazy red hair (1956). This told the life of the impressionist painter, from his adventures as a Protestant pastor and missionary in a mining region of Belgium, in which he created his first great work (Potato Eaters), until his arrival Paris and contact with other great artists.

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