The unusual is not only the strange or the implausible, but also what can not be believed or is difficult to assume as incredible, rare or unusual. And on this date, just when Women's Day is celebrated, nothing better than approaching what they write and the authors worry about, beyond the demands that today will invade the sidewalks and streets of Spain. The anthology "Unusual" (Pages of foam) is not only a meeting of texts focused on the genre of the fantastic, with all its attractions and worlds disturbing and, sometimes, also dark, but also a suitable balcony to lean out to your imagination , concerns, interests and creativity. The anthologues of this volume – that follows the track of other previous volumes that already marked a before and after in the story, like "Small resistances. Anthology of the new Spanish story "and" Please be brief "- are Teresa López-Pellisa, professor of literature at the University of the Balearic Islands, and the writer Ricard Ruiz Garzón. They persecuted, as López-Pellisa affirms, that "readers who enjoy unrealistic genres and researchers did not have a reference book in which to find a corpus of Latin American and Spanish authors who cultivated fantasy, science fiction and what is wonderful today. " For Ruiz Garzón there is another reason, quite powerful and he assures that "more anthologies of women writers are needed because the women who wrote have been historically invisible. In the case of science fiction, fantasy and terror. This situation has been more serious and has lasted until recently, especially in Spain and some Latin American countries. "
The writers who have participated in this book come from the two shores of the Atlantic. They belong to different generations and move stylistically by different parameters. An opportunity to explore their different prose and creative proposals through names such as Cristina Fernández Cubas, Mariana Enriquez, Ana Maria Shua, Laura Fernandez, Laura Gallego, Cristina Peri Rossi, Elia Barceló, Susana Vallejo, Laura Rodríguez Leiva or Laura Ponce, others, until completing a payroll of some thirty authors and almost two thirds of Spanish-speaking nations. An opportunity, as Ruiz Garzón indicates, to "distinguish between countries or areas that have not suffered the stigma against unrealistic literature, as has occurred, for example, in Spain."
López-Pellisa what she does advance is a clear difference: "Speaking to large traits of general characteristics could make me sin of simplistic, but the truth is that in the stories of some Latin American writers there is a greater presence of violence and repression policy than in the Spanish authors. "