"I do not think there is an easy movie. I think it's just as complex to produce a short film as a long film, "he says. the producer Enrique López Lavigne. The difference, according to him, is the responsibility: "It is different to have a film in which you handle a budget of 30 million euros, as The impossible, that one of 15 thousand euros made in cooperative, as People in places", Explain.
Enrique López Lavigne knows perfectly both worlds, that of the great and that of the small production. He has recently worked in films such as Gold, by Agustín Díaz Yanes, set at the beginning of the 16th century in the middle of the Amazon jungle and shot in locations in the Canary Islands, Andalusia and Panama, but has also produced Selfie, of Víctor García León, filmed with few means by the streets of Madrid, taking advantage of real rallies of political parties like Podemos or the PP. "The easy thing does not exist", sentence.
This Friday at 10.00 pm Enrique López Lavigne reflects on his professional experience within a special program that extends throughout the month of November and in which TCM will offer interviews to several Spanish producers. "In Spain almost all producers are independent and the vast majority, creative, because making movies in our country is not easy," explains Lavigne. "It requires a certain creativity in the selection of topics, in the way to face them and in the need to design them with their backs to an industry that sometimes appears and sometimes disappears, but which is always precarious".
Enrique López Lavigne has produced more than forty titles and recognizes that almost half of them have not worked as he would like. "Sometimes you design a movie that looks like another that just triumphed and you're late. Sometimes you get there before, "he reflects. What is clear is that nowadays it is necessary to develop in an international market. "The cinema no longer has a flag and, if it has one, it is a global flag because financing is so and more so with the arrival of platforms and the need for catalogs to be supplied with stories," he says.
An example of what has been said can be A monster comes to see me by Juan Antonio Bayona, shot in English and with international stars like Sigourney Weaver. "We are in a 'golden age' in which screens and formats are confused. You plant before your gigantic television and you do not know if you are going to see a series that lasts 25, 50 minutes or an hour and a half movie. As a spectator, you are able to consume the entire season of a series in a single night. Today's offer is brutal, "he says.
And the future, in his opinion, will be even more complex. "The changes are going to go very fast and the stories will multiply. The platforms will try to develop their own content and distance themselves and differentiate themselves from their competitors ". Word of Enrique López Lavigne. Word of a film producer.