Josep Pla he said of him that he was "a fan destroyer, who represented a society of comfortable and judicious citizens on the shores of the Mediterranean." It was Santiago Rusiñol (Barcelona, 1861- Aranjuez, 1931) something like a Renaissance artist. Painter, sculptor, writer and playwright, Rusiñol represented as nobody else the culture, the cosmopolitanism and the civism of the Catalonia of those years. Els Joglars use in Lord Nightingale the figure of this man passionate about gardening to perform, with irony and humor, a scathing critique of the situation created in Catalonia as a result of the you procés. "Rusiñol represents a world and a spirit that has not been replaced. The sensuality, the beauty and the joyful life that he embodied have disappeared. We want to face that Catalonia of Rusiñol with the one of now and to claim art as a universal fatherland against identity homelands, "says Ramon Fontserè (Torrelló, Barcelona, 1956) who directs and stars in this function, along with Juan Pablo Mazorra, Rubén Romero, Pilar Saénz, Dolors Tuneu and Xevi Vilà, this function.
After passing through Valladolid and Zaragoza, with the theaters full, Lord nightingale -this is how they called Rusiñol in Aranjuez, where he lived the last years of his life- he arrived on Wednesday María Guerrero of Madrid, where it is represented until January 27. The subsequent tour of the show only includes, for the time being, a day of representation in Canovellas, a town in Barcelona. "We are not vetoed, but they do not rent us," says Fontseré, paraphrasing Josep Pla again. "We have no response from theaters in Catalonia, we just find silence. We are not going to victims, but the reality is that they do not hire us. We are willing to go anywhere, even to Waterloo [localidad belga donde se ha refugiado Carles Puigdemont]", Add the members of the company that proclaim:" Freedom of expression is to defend not only what you like, but what you do not like "
Santiago Rusiñol was a bohemian man with great common sense. Ramon Fontserè, who has been studying the life and spirit of the Catalan artist for more than a year with El Joglars, speaks of him with passion and a certain nostalgia. "He was a very curious man. He was a sad satirist, that special combination. Melancholic and dismal, he liked to isolate himself and to be alone walking, but, suddenly, he needed the people and when Rusiñol entered some place he seemed to enter a Sicilian horse. Cheerful, fun, intelligent and magnificent witty. "
Rusiñol, a great lover of the landscaped parks that he so often portrayed in his paintings, spent his last years in the Madrid town of Aranjuez where he arrives in search of the royal gardens, and where he was known as Mr. Ruiseñor. King Alfonso XIII proposed to grant him the title of Marquis, but he refused and asked to be appointed general gardener of Aranjuez, a privilege that allowed him to enter the beautiful gardens every day in a carriage and walk freely.
The common thread of Lord Nightingale, with a very functional and plastic scenography that seeks to support the game of the actors, focuses on a gardener who has rheumatism and is transferred to a museum where he acts as a guide. The gardener falls in love with the character of Rusiñol, whose paintings hang on the walls of the collection, which faces the patronage of the center when they decide to turn the art gallery into a museum of identity. "We had the privilege of living in a friendly and pleasant modern Catalonia," says the gardener / Rusiñol. It is not anymore? Ramon Fontserè he replies: "From friendly, he has nothing. The smile in Catalonia is a euphemism, at least in the middle of the citizenship. The tension and the social gap between friends and families is enormous ".
The actor and director is clear that all the current fanaticism in Catalonia comes from the time of Jordi Pujol, character on which Els Joglars, a company that has turned 55, made in 1995 Ubú president. "I am from the rural world and I did not live in that cosmopolitan and open Catalonia of the seventies, where nationalism did not exist and you were not forced to say what you professed." Tarradellas, a man who came from the war, fed up with so much confrontation and blood, advocated for unity, something that began to be destroyed with the arrival of Pujol, which was helped by the PSC, which abandoned its policy against nationalism and became more convergent that own converging. Since then, everything went to hell and delirium came. In Catalonia the past has been uprooted or distorted and in this way an invented order has been configured ".
The reasonableness and rationality that represented Rusiñol has disappeared, Fontserè reiterates, for whom the most worrying thing is that institutions and politicians do not realize the fanaticism and delirium that they have led to citizenship. He is not optimistic about the future, although he warns: Els Joglars will not cease to inquire into art, virtue, truth and beauty, with irony, humor and sarcasm.