Cultural survival kit for the running of the bulls (day 18) | Babelia


BOOK: Mr. Cayo's disputed voteby Miguel Delibes

Cultural survival kit for the running of the bulls (day 18)



“Imagine, for a moment, that one day the blessed Americans hit a neutron bomb like that, which kills but does not destroy. Well, it's a hypothesis, a bomb that would kill every god except Mr. Cayo and me. Well, if that happened, I would have to run to Cureña, kneel before Senor Cayo and beg him to feed me, do you understand? Señor Cayo could live without Víctor, but Víctor could not live without Señor Cayo. So, for what reasons do I ask a guy like that to vote, Dani, do you want to tell me? ” Literature is full of premonitions. Víctor is a militant of a leftist party that, during the campaign of the first democratic elections, those of 77, travels to a remote town in Castilla to win over its three inhabitants. There he meets Cayo Fernández, 82, with whom he exchanges what Delibes, a tennis lover, called a "racket of arguments". The result of the talk with that "primitive being" whom he tries to "put into the gear" is clear in the hypothesis of the bomb, interchangeable today by the coronavirus: "This guy, damn, is like God, out of nowhere he gets stuff".

Although the fortune of the title usually drags the reading of the novel to the electoral field, its author, who published it in 1978, was clear from the start that the key was the dispute between the extreme turbo-capitalist division of labor and the extremely harsh self-sufficiency in the countryside. "This guy knows how to feed himself, he is his master, there is no dependency," says Victor at another time. “We did not know how to understand them in time and now it is no longer possible. We speak two different languages. " The rest, we know well, is the return to Thoreau and the lament for the fate of empty Spain, emptied or vacuum packed. Miguel Delibes' centenary, which is celebrated this year, breaks with a metaphysical question: who is going to reap the harvest? Javier Rodríguez Marcos

Mr. Cayo's disputed vote, by Miguel Delibes. Destination, 1978. Available in digital edition as a free loan in public libraries (eBiblio). Also, in digital and printed editions in All your books Y Amazon.

A MOVIE: A girl comes home alone at nightby Ana Lily Amirpour

Cultural survival kit for the running of the bulls (day 18)



Bad City. An Iranian city. A woman walks through the arid streets. It's the girl. It has no name. Her fragile appearance hides her great secret: she is a vampire. And you will find in that territory, where life is celebrated inside the houses while the streets only serve as mere roads to travel at full speed, your hunting ground. In 2014, director Ana Lily Amirpour, from a Persian family, born in the United Kingdom and raised in California, premiered A girl comes home alone at night, a translation of vampiric legends to the Middle East. Shot in black and white and in California, albeit in Farsi and rebuilding a medium-sized city in Iran, the thriller it swept festivals around the world thanks to its powerful image, its careful soundtrack and charismatic characters. Amirpour decided to prioritize these wigs over the script, thus obtaining the perfect vampire gafapasta film. Very enjoyable, yes. Above all, because he found in Sheila Vand, its protagonist, an enigmatic and hypnotic face. That girl, survivor in a macho and derogatory world with everything feminine, moves in those shadows in which men corner, derogatory, the feminine. Only a boy, Arash, will be able to see beyond. Influenced by Jarmusch and all the pop culture - it fascinates the decoration of the protagonist's room, with wannabes of Michael Jackson and Madonna mixed with real posters of, for example, the Bee Gees -, Amirpour built in A girl comes home alone at night a perfect film for this time of deserted streets and furtive encounters. Gregorio Belinchón

A girl comes home alone at night. Ana Lily Amirpour. 2014. The film is available in Filmin.

A DISC: Homage to Antonio Chacónby Enrique Morente

Cultural survival kit for the running of the bulls (day 18)



The singer Don Antonio Chacón (1869-1929) was a great creator of styles and, in turn, a catalyst for the heritage of legendary artists. All a great of his time that, however, went from being deified to almost demonized in a few decades, victim of an exclusive flamencology. It can be said that when Enrique Morente He dedicated this tribute album to him in 1977, his figure was not quoted on the rise. The recording is, then, an exponent of the artistically unruly character of the Granada-born cantaor, who acts against the current of the prevailing canon at that time by taking a refreshing look back to go forward. It is a brand of the house: making the old new, going from classicism to the forefront. An anthological record of the legacy chaconiano, who signed a duo with guitarist Pepe Habichuela, author of a brilliant and canonical touch. The work, with twenty cuts on a double LP, received the National Music Award. Fermín Lobatón

Homage to Antonio Chacón. Enrique Morente. Clave, 1977. The album can be heard on Spotify.

A SERIES: Colombo

Cultural survival kit for the running of the bulls (day 18)



In times of uncertainty, certainties are more necessary than ever. It is comforting to know that at least something, even in fiction, will end well. With Colombo, one can be sure of two things: that this man in a raincoat and permanent confusion is going to remember at the last moment, just before going out the door, to ask the key question to the suspect, and that, as lost as he may seem, will always find the culprit. At the end of each chapter, things always end well. Nothing better than knowing that right now. Peter Falk played the singular detective, one of the best known on television, in 69 episodes, most of them aired between 1971 and 1978, although the character returned in 1989 and in some subsequent specials. Contrary to what usually happens in the police series, where the grace is to guess who the murderer is, here the usual thing is that the episodes (between 70 and 90 minutes, as a telefilm) begin showing the crime. The culprits are often members of the American upper class who despise and look down on that lieutenant who arrives at the crime scene in a dilapidated car, smoking a cigar, unarmed and, apparently, quite absent-minded.

Four Emmy Awards and a Golden Globe - he was a candidate on 10 occasions - Peter Falk won for that Colombo that made him highest-paid actor on television at the time. In Spain, up to seven dubbing actors voiced the character in various stages, chains and formats so that he could say over and over that "just one more thing ...". Natalia Marcos

Colombo. Richard Levinson and William Link. NBC and ABC. 1971. The series is available in Amazon Prime Video Y Movistar + on demand and in Paramount Network in open.

A COMIC: Cassandra Darkeby Posy Simmonds

Cultural survival kit for the running of the bulls (day 18)



There is an established belief that the comic is a hybrid form of drawing and text, often used as an excuse to place it one notch below both expressions. However, only with a quick glance at the history of the ninth art it is possible to conclude that the comic is an art in itself that has its roots in the drawn narration, the second form of narration after the oral one. The text in the comic is not necessary: ​​it is one more resource, a strategy that the author takes advantage of and that may even have a purely visual meaning, as in onomatopoeia. However, there does exist a successful hybridization between the languages ​​of comics and literature, with its own name, in addition: Posy Simmonds. The British author has managed to find her own defined style in her works, characterized by the inclusion of literary texts in her comics, managing to fuse them both fluently, generating an internal dynamic that avoids the feeling of a picture book and remains in the realm of the cartoon. The connection with literature is twofold: Simmonds' works are always born from the rereading of classics like Flaubert (Gemma bovery) or Thomas Hardy (Tamara Drewe). Cassandra Darke, his last work, is faithful to his career, posing an acid criticism of the art world, from the reinterpretation of Dickens with echoes of John Kennedy Toole, who does not renounce thriller and intrigue, in a mixture as unexpected as exciting. It is difficult not to be attracted to this misanthropic version of Miss Marple dressed as wealthy class Ignatius J. Reilly, who falls into the hells of the popular genre from the heights of the high-brow of dazzling galleries, in an apparent softening of her personality that it is not such: it is the unsuspecting reader who ends up loving it. Álvaro Pons

Cassandra Darke. Posy Simmonds. Salamandra Graphic, 2020. The comic is available, in digital and printed edition, at All your books, Fnac Y Amazon.

A VIDEOGAME: Dark Souls

Cultural survival kit for the running of the bulls (day 18)



The world of video games, as one says, is still in its infancy in terms of building its own cultural identity. In this scenario, one might think that the tendency is to recreate those things that succeed. And yet, the opposite occurs: the medium is so eclectic, so magmatic, that every year there are a handful of games that surprise by the radicality and originality of their proposals. Still, meteorites sometimes fall on this interactive planet. The last one (in addition to the games of battle royale) happened in 2011 with a dark and rabidly difficult game: Dark Souls. A medieval gothic fantasy created by Hideteka Miyazaki, filled with nightmares in which dying was something we did every few steps. Literally. A vindication of the brutality and the difficulty that, nevertheless, gave the key to make your experience immensely deep and gratifying. A formula that since then has been replicated endlessly, but from which it is always convenient to return to the origin. Jorge Morla

Dark Souls. FromSoftware / Bandai, 2011. The game is available for PS3, Xbox 360, Windows, PS4, Xbox One and Switch.

.



Source link